New 2020 Lit Journals Part 2

Image Credit: Dafne Cholet

As this seemingly endless year finally comes to a close, I realized that among the many things I will recall about this year, one unexpected positive of 2020 was that I rediscovered literary journals. They beckoned to me, drawing my attention away from the news and giving my mind something to contemplate other than the despair that accompanied this year. So in the last couple days of the year, I want to highlight some more new journals that came into existence during the past few months. I hope this post helps you find some interesting reading material for this holiday weekend, and maybe inspires you to send your work to one of these new journals.

Tunafish Journal

               Tunafish Journal just published its first issue this month. Their focus is on publishing light-hearted positive work, and they also include videos of some of their authors reading their works to increase accessibility. One thing I like about this journal is that they announce their themes well in advance of opening for submissions, so if you wanted to write something that matched the theme to submit to them, you could do so even if you aren’t someone who writes super quickly.  They accept poetry, flash fiction, and flash nonfiction. From their first issue, which had the theme Celebration, I particularly enjoyed the flash fiction “I’ll Turn a Cartwheel For You” by Leah Holbrook Satchett, which is about the rituals of a summer barbecue. I also liked Linda McCullen’s retelling of Cinderella, “Stella,” which had a nice twist at the end of it. The poem “Happy Hour Luau at the Nursing Home” by Lynn Finger made me smile and remember when I used to volunteer at a senior home when I was in high school. There is also a video of the author reading it here. Finally, I also enjoyed the poem, “I’m Pretty Much an Expert at Showers, Except When I Fell and Got Three Stitches” by Matthew Miller which showcases the joys of boyhood innocence. They are currently taking submissions for their issue on Endings until the end of December, after which they will be looking for submissions for their issue on Growth.

The Aurora Journal

               The Aurora Journal is another new journal that published its first issue this winter. They are interested in surrealist work in particular. They publish both prose and poetry, although the current issue seems skewed more towards verse. Two poems I enjoyed from their current issue are “The Guns Are Hungry” by Joseph C.P. Christopher and “History” by Sophie Chiang, who is also the editor of the journal. One unique feature of this journal is that they have an inspiration page where they post inspirational imagery and words to jumpstart your writing process.

Five South

               Five South’s name comes from the 5 highway (I cringed a little bit as a wrote “the” in front of the highway name, but since they are referring to the Southern California portion of the highway, it seems apt to say it in a Southern California fashion). They publish poetry, short stories, and flash fiction, and from reading their first issue, it seems like they value everyday realistic stories as well as stories with some speculative elements. I enjoyed the short story, “I didn’t know what to say, so I said thanks” by David Joseph, a classic short story about a high school kid who is longing to be cool. Another short story that gripped by attention was “Mountain Rats” by E.G. Rand, about mutant sewer rats poised to take over Los Angeles. I also liked the flash fiction, “Universal Days” by Jeanne Julian, which if I had not known any better, I would have guessed was non-fiction, since it describes the very believable and funny experiences of a retiree who works at Universal Studios in Florida. One poem I enjoyed was “Undiagnosis by Jacob Nantz, which I found to be rich with detail and emotion. Five South currently has free submissions until January 7. They also are running the Ray Bradbury short story challenge in January, which is an event in which they challenge writers to write a short story every day for four weeks.

Biological Creatures

               Lastly, I appreciated Biological Creatures’ minimalist set up, which I think allowed me to more fully appreciate the writing in their first issue. One poem I connected with, probably because I’m a teacher, was “an open letter for back to school night” by MEH. I also was entranced by “Eels (Never Apologize” by Joanna Vogel. While they don’t publish any explicit submissions guidelines, they accept both poetry and flash fiction, and they will open again for submissions on January 28.

Online Lit Journals Born During Quarantine Part 1

Image credit: Anemone Letterpress

We are now 8 months into this pandemic, and one of the only silver linings is that the internet is keeping us all connected from home. As a writer, I feel more in touch with the writing community than I was before the pandemic started because I’ve been spending so much time on Twitter. Following literary journals and other writing accounts that are producing interesting, insightful, and delightful work is one of the main ways I distract myself from doomscrolling. If you have not tried it, I suggest you do so. I keep a list of literary journals on my personal Twitter account here, and whenever I want to clear my mind but still read things online, I visit the literary world version of Twitter which feels a little bit like the sheltered bubble of a quirky college town.

In the past few months, many people have started new online literary ventures despite the chaos and uncertainty that surrounds us (or maybe because of it). Not all of these new journals are online publications, of course. I contributed to a new print magazine in my city, The Alameda Murmur, which I found out after I saw the flyers that the founder of the lit mag posted around the city while I was out for a walk this past spring. I was so eager for connection to my local writing community that I apparently was one of the first people to email the editor with my submission.

This month I wanted to highlight some newer online literary journals that have made their debut since we all began to hunker down. These promising venues will hopefully outlast the crisis that spurred their creation. In my experience, submitting to new journals can be more exciting and interactive than trying your luck at journals with more established reputations. Your odds might be better at the newer journals too— even if they don’t come with the prestige associated with well-known journals. Who knows? You might be in one of their early issues, after which they might develop an esteemed reputation as the years pass.

No Contact Magazine

This was one of the first online journals that sprung up in response to quarantine. It was founded by writers in the Columbia MFA program, although I don’t think it has any official connection to the university. Since it started last spring, it has already published 14 issues! Going forward, they are dialing back to releasing issues on a monthly basis instead of twice a month. No Contact’s focus is on work that deals with interiority, and they accept poetry, fiction, and creative non-fiction with a word limit of 1200 words.

 Three pieces I enjoyed from the most recent issue, Issue 14 include, “We are All Orphans” by Calthy Ulrich, a flash fiction that puzzles over the significance of a potato peeler and its relationship with motherhood, “Matt’s Basement” by Leonora Desar about a couple moving into one of their parent’s basements, a situation many Gen Z’ers and Millennials can relate to right now, and “Masterclass Testimonials” by Tyler Barton which delightfully lists all the absurd ways you can pay men to mansplain things to you.

Hexagon

Hexagon is journal focused on speculative fiction based in Canada. They publish fiction and poetry that fall under the umbrella genre of science fiction and fantasy. They are a semiprozine, which means they do pay a small honorarium to authors. In their most recent issue, Issue #2, I particularly enjoyed the stories, “Memories Taste Best When Marinated in Sadness” by Feng Gooi and “The Last Trophy of Hunter Hammerson” by L Chan. Gooi’s story takes place in a futuristic world in which the rich sip on the memories of poor, suffering wretches, and the main character is the person who collects and distills these memories. The mystery of the story really kept me enthralled. Chan’s story is written in the form of a lofty magazine profile, in which the narrator is a journalist interviewing a famous monster hunter. The asides from the editor made me chuckle.

 Since discovering Hexagon, I have submitted to them twice, and while both times my work hasn’t been chosen, I have appreciated the editor’s thoughtful suggestions about where else I could send my submission. From his rejection emails alone I have discovered two more literary journals that I might feature on this blog at some point. Hexagon’s next issue actually comes out on Dec 1, so be sure to check it out.

Crow and Cross Keys

Crow and Cross Keys is another speculative fiction focused journal that is interested in dark and strange work. I’ve noticed most of the pieces I’ve read on their site have a gothic vibe, lots of solitary, creepy musings.  They accept poems, stories, and flash fiction.

Two alluring pieces that I enjoyed from their site are “Stitches” by Samuel Best, and “Rust Belt’s Taxonomy of Ghosts” by Jessie Lynn McMains. At first I thought Best’s piece was nonfiction— it feels both startlingly direct and secretive at the same time, and its speculative aspect is very subtle. McMain’s poem is a list poem, and like the best list poems it spirals into something quite different than what it originally seems.

The Wondrous Real Magazine

The Wondrous Real Magazine’s pieces bridge the uncanny valley of reality and whimsy. They publish fiction and poetry that show the intersections of magic and the mundane. They have only published one issue so far, but I am looking forward to their future issues. I was drawn to the poem, “When I Google: Is There a Patron Saint of Suicides” by Joan Kwon Glass because of its mixture of the very troubling issue of suicide with the absurdity of trying to get a straight answer from google. I also liked “The Sea Lions” by  Dan Schwartz, which is about visiting the zoo with your child in a world that has just hints of terrifying magic in it.

The journals I highlighted in this post are focused on speculative fiction or fiction that focuses inwards, perhaps a reflection of how writers and editors have been coping with this pandemic, by escaping to unreality or by turning to self-contemplation. However, in this post I was only able to cover about half of the new journals I discovered. In December, I will post about more pandemic-born magazines. Until then, happy reading.

In Praise of the Themed Submission

If you’re a writer who is finding it hard to focus on your writing or submitting to literary journals at this time, you are far from alone. With so much happening in the world, it might seem almost superfluous to keep submitting to journals. However, I found that when I can carve out the time to read literary journals and hone my own writing for submissions, I am able to relax in a peaceful corner of the internet. Of course, literary world is not isolated from the rest of the world and needs to address its issues with racism, but there are a lot of great journals who are publishing writing that is necessary and important, as well as writing that is distracting and fun. I need a combination of both to inject some hope into my life these days. One type of journal I’ve enjoyed reading and submitting to are themed journals, whether the journal is just having a themed issue or they are devoted to publishing work about a particular topic. The more niche a journal is, the more I find myself drawn to it these days. Perhaps it’s because I am craving order and structure in a chaotic world, or perhaps it’s because submitting to these journals doesn’t feel like trying to read a black box.

I have nothing against journals that don’t have themes. They often have a variety of interesting short stories, poetry, and essays that I enjoy. However, these journals are daunting to submit to. Every submission page at a literary magazine will direct you to read past issues to get a sense of their aesthetic style. But even if you read previous issues it’s hard to get a sense of what they are looking for unless you have a very honed perception of writing styles. Even then, editors rotate, and the aesthetic preferences of journals change. I liked themed submissions because at least I can check off one box that the journals are looking for: it’s about the right topic. Plus it’s often a fun challenge to write about a topic that you haven’t considered before or to try to shape your works in progress to fit the theme. It’s similar to using writing prompts as inspiration.

Here are some journals with thematic content, or at least themed submissions, that I have enjoyed recently. After you check them out, let me know what you think in the comments. Do you prefer themed submissions, or would you rather submit to journals that don’t have as narrow criteria for their acceptances?

Perhappened Mag

Perhappened Mag is a relatively new journal that has themed issues. Each one is really unique, and they also seem open to interesting experimentation. Their issue from last month, Mix Tape, has poetry and creative nonfiction accompanied by a playlist of songs. Each submission was inspired by a song that evokes nostalgia in the writer. Their latest issue, Lights Out, just came out today, and they are accepting submissions for their next issue, Fairy Tale, until Nov 10. They accept both poetry and prose submissions.

One poem I enjoyed from their Mix Tape issue was “Beyond Turnt” by Caroline Dinh. It’s a poem about the price of assimilation, and it had some incredible lines in it like, “If you peeled the Earth like a clementine/ and spread its skin across his Spotify playlists there would still/ be room to spare.”

I also enjoyed, “Joni sings of freedom” by Ikjot Kaur, a prose poem that evokes the boundless feeling of traveling with someone by your side.

Porcupine Literary

Porcupine Lit is a journal by teachers about teaching, but it’s not for sharing pedagogy. It publishes creative pieces about the experience of teaching. This journal is near and dear to my heart because I’m a teacher. When I found it, I was so excited that such a journal existed that I immediately submitted to it. I will probably keep submitting to it with the hope that one day my ramblings about teaching get published. Porcupine Lit publishes fiction, poetry, and creative nonfiction. They are open for submissions until Nov 1.

Some pieces I enjoyed from their most recent issue include, “Secondary Certification” by Michelle Campagne, which I thought did a great job of capturing the small indignities of the profession.

I connected with the creative nonfiction piece, “Accept No Substitute” by Christina Fishburne about the experience of a teacher who has an MFA. While I don’t teach kindergarten, I enjoyed the writerly attention she bestows onto the small details of teaching kindergarten. I find that as a teacher, my writer’s eye comes in handy quite often.

Longridge Review

Longridge Review is a creative nonfiction journal that publishes essays about childhood experiences. I love their theme because of just how rich and broad it is. Anybody could think of something interest to write about on this topic.

Some pieces I enjoyed from their most recent issue include, “Baby Steps” by Miriam Glassman, which discusses the pitfalls of trying to fill a void in your life with a creepy, walking doll, and “Breathing Lessons” by Brenna Sowder, which weaves together the author’s breathing lessons as an asthmatic child with her anxieties and fears during the current pandemic.

Burning Jade Magazine

Again, this is a relatively new journal, but their first issue really wowed me. Its theme was #Americaisoverparty, and it included some biting political poetry and prose. They just closed the submissions for their next issue on Spirituality, but they will probably have submissions open for their next issue on October 23. Full disclosure: I had a piece accepted in the next issue which I will share on this blog once it’s online, so I might be a little biased, but I was already excited about this magazine before they accepted my work.

Here are some pieces I enjoyed from their first issue:

The poem, “Portrait of a Pandemic” by Anisha Narain really struck me because it voiced so many things I’ve been feeling since March but have not been able to say as eloquently.

“#WhiteButWoke Work Week Social Media Challenge” by Jennifer Dines made me laugh and cringe at the same time (is there a word for that?).

“For Ahmaud Arbery” by Leela Raj-Sankar left me feeling broken and angry, reminding of the reason poetry and writing are necessary in this moment.

September Recommendations

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Image: Ian Sane

It’s back-to-school season for teachers and students alike, and I know as well as anyone that it’s hard to find time to read lit journals for fun when you have so many other responsibilities. But I’m making a commitment this school year to squeeze in time for good writing here and there, and I hope you do too.

I have two picks this month, Wigleaf and South 85. I’ve chosen these two journals because they are almost complete opposites in terms of the length of their pieces. As someone who gravitates towards writing really long stories or flash fiction, I appreciate that there are journals catering to these niches.

Wigleaf is a journal that publishes “(very) short fiction” of 1000 words or less. Their contributors also write letters to the journal published alongside their stories which are as imaginative as the stories in the first place. These letters are quirky, puzzling, and poetic. For example, in one letter, contributor Brianne Kohl laments how she’s not sure if she belongs in the wild west. I’m not sure how writers get the inspiration for these little notes, but they are certainly entertaining and unique.

In Wigleaf’s latest issue, I was amazed by just how much ground their stories covered in less than 1000 words. The short story, “Preservation” by Tessa Yang, takes us into a future in which people sign up to sleep away years of their life in a coma for science. I also liked the story, “The Magician” by Kara Oakleaf, which features a delightfully whimsical child who plays magic tricks on his parents from infancy. This issue culminates in a featured story by published author Amber Sparks, who imagines what Zeus would be like as a football-watching American dad. Most of their submissions delve into the fantastic and surreal, weaving impressively developed narratives for such short pieces. Wigleaf takes submissions during the last week of each academic month, so that’s coming up this week! Check out their submissions page for more information.

I discovered South 85 from my writer friend Mary Jane White who has an excerpt from  her memoir about raising a son with autism published in their latest issue. South 85 is a university-affiliated journal, run by the low-residency MFA program at Converse College in South Carolina, publishing fiction, non-fiction, and poetry. It is one of the few online journals I’ve encountered that does not shy away from publishing longer pieces.

In their latest issue, poet John Nizalowski  presents the tragic contrast of the mundane, despairing reality of a gas station near the Hopi Reservation and the nearby ruins of ancient civilization in “High Noon at the Hopi Gas Station.”  I particularly like the final turn of phrase, “the smell of colonial commerce.” In the nonfiction piece, “Behind the Walls in the Land of the Pure” the Pakistani-Canadian author, Mariam S. Pal describes her experiences hanging out at luxurious private parties in Pakistan, Lahore in the 1980’s, showing how her perceptions of Pakistan are overturned while she also debunks Pakistanis’ misconceptions of the West. Finally, I thoroughly enjoyed the short story, “The Buffalo of Sentinel Meadows” by Lawrence Cady, in which a music critic accompanies his biologist research wife on a fieldwork trip to Yellowstone, where they draw DNA samples of ancient bacteria from hot springs. While taking the samples, the narrator lets his mind wander through the memories of his relationship with his wife. I loved the slow build-up of emotion in this story, which is so rare to find in much of the fast-paced fiction published in the age of the Internet.

South 85 is open for submissions until November 1. For more information on submitting to South 85, check out their submission guidelines.

 

August Recommendations

 

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Image: Tony Hisgett

This summer has been the summer of many tabs. I always have at least 10 tabs open, and about half of them are literary journals. Part of what inspired me to come back to this blog was the renewed excitement I felt for exploring the pages of the internet following a writing workshop I took last spring. My professor, the poet Greg Glazner, asked us each to present on a particular writer whose “poetic prose” we were really fascinated by (the them of the class was “Poet’s Prose” but we read a range of texts from prose poems to flash fiction to creative nonfiction). He requested that instead of uploading pdfs of excerpts of the writer’s work, we post links. At first I was a bit skeptical of his insistence on links, since it was sometimes less convenient to find links to a person’s writing on the web than to just make a copy of pages of a book from the library. But Professor Glazner has this theory about links, that they allow us to discover more things about the writer and his or her context and also lead us on these interesting quests through the internet to find things we never knew existed.

I was presenting The Pillow Book by Sei Shonagon, a Japanese writer who lived in the Emperor’s court in the 10th century, so initially I was skeptical that I would be able to find her work published online, and I wasn’t sure if giving a link would add anything to the conversation. However, when I searched for Sei Shonagon, I stumbled upon a really insightful and informative essay by Meredith McKinney on translating The Pillow Book in the Kyoto Journal.

Ever since, I’ve been considering just how cool it is that this whole vast repository of writing is available to us for free online, and I’m continually inspired whenever I find more online journals publishing great work. Here are some of the journals that have recently caught my eye:

The Southeast Review

The Southeast Review’s journal is technically not online, but they do post fiction, nonfiction, interviews, and poetry to their “online sister,” SER TWO (which stands for This Week Online). There I found some really great writing during the past month including the short story “Ruth’s Red Ale” by Ann Stuart McBee and the nonfiction piece “Two Boyfriends” by Lareign Ward. McBee’s story ferments language in exciting ways (pun intended), and I was dazzled by the sensory details in her piece about an impoverished couple home-brewing beer while life falls apart around them. Ward’s piece depicts the strange untethered grief of a narrator who has recently lost a lover but doesn’t quite know what her future with that person would have been or if they even were heading for a future together.

The Southeast Review is affiliated with Florida State University and is currently accepting submissions in fiction, nonfiction, poetry, and book reviews. You can find out more information about their submission guidelines here.

 

The Yemassee Journal

This journal, which is run by the University of South Carolina, recently published its first online issue, which I perused. Some of the highlights from that issue include the poem “I Tried to Be a Good Mexican Son,” by José Olivarez, a prose piece called “The Saving Apocalypse” by Matthew Hummer, and “Three Poems” by Shaina Monet. Olivarez’s poem depicts the speaker’s failure to live up to his mother’s expectations and also serves as a sweet tribute to the speaker’s mother, who clearly loves her son despite his shortcomings. It’s humorous, straightforward, and filled with delightful lines. Hummer’s piece, which I think is nonfiction (although it’s not labeled) is a lament of the demise of the print newspaper and also discusses the paranoia the narrator experiences while trying to not be tracked by technology, a paranoia that feels familiar to anyone with a smartphone or a social media account. The essay slips into its subject indirectly, slyly, almost like it is is trying to hide something. Ironically, it’s online for everyone to read. Finally, Monet’s poems have a really interesting concept behind them: they are in the form of a “beau présent” which is when you take the letters of someone’s name and combine them into different words to create a poem. The form limits the writer to only using the letters available in the original word or words. Monet describes her reasons for doing this: each poem honors an ancestor of hers, persons of color who society didn’t deem worthy of recording. Her poems try to correct that injustice. The poems’ form leads to an interesting sense of circularity as you read the same letters come to life in different ways.

Yemassee is currently open to submissions of fiction and poetry. Here are there submission guidelines.

Split Lip Magazine

I like that Split Lip Magazine releases just one piece from each genre every issue. It makes reading an entire journal feel less daunting, and it will definitely keep me coming back to see more cool writing. In this latest issue, I particularly enjoyed the short story “Bound” by Belinda Hermawan and the nonfiction essay “Cary” by Lorelei Glaser. Hermawan’s story about fate and adoption drew me in from the start. The main character, a Chinese-American who was adopted, feels drawn to one of her cousins, and and that attraction is so well written that it didn’t come across as gross or weird. It was definitely original in its language and emotional intensity. On the other hand, Glaser’s story about coping with her son’s mental illness was a familiar narrative, but the details were fresh and cut to the quick.

Here’s information on how to submit to Split Lip.

I hope you enjoy these recommendations. Check in about a week from now because I have a flash fiction forthcoming in an online journal (not any of the ones I’ve featured), and I’ll be excited to announce that once it is published. I’m going to do my best to keep updating this blog at least once a month, but now that the school year is starting I will sadly have less time to peruse online journals and my tabs will be tucked away into folders, bookmarked for later. Until next time, happy reading and writing.

The Missouri Review

This fall, I submitted a short story to the Missouri Review’s Editor’s Prize. I didn’t win. But, luckily, the contest submission also came with a year-long subscription to the literary journal (the fee for the contest was $20). I just finished reading the fall issue, and I have to say, I really enjoyed it. I think everyone who considers him- or herself a writer should read at least one literary journal on a regular basis, and I think from here on out, the Missouri Review will be mine. While not all the stories were perfect, and I wasn’t personally interested in all of the works in the issue, overall, the review’s fall issue had fresh writing with rich language and fascinating subject matter. I definitely recommend that you check it out.

The Missouri review publishes poetry, short fiction, and essays. I found the poetry in the latest issue to be accessible. Most of it was free-verse and more on the traditional side. There was nothing that could be called experimental in all of the magazine, in fact, but that was fine by me, since I tend to like more conventional literature.

Most of the poetry I read I would characterize as concise, filled with sharp, curt images, but at the same time it was layered, ready for deeper exploration. It was the kind of poetry you could read and think that it was rather simple, but if you go back and reread it you will find more than you thought was there. One of the poems that I liked in this issue was actually reflecting on this very topic, the layers of poetry. It’s called “The Poem About the Henhouse” by Lawrence Raab, and it is prefaced by a quotation by Jose Saramago, who said that a writer can’t find much to say about a henhouse.  And of course, the poet finds a way to say something about a henhouse which is quite poignant.

As for fiction, in general I liked the short stories in this issue. In particular I really enjoyed reading “Bury Me” by Allegra Hyde which offers surprising images of a funeral and fresh portrait of a friendship between two women. During college, the two firends use spirit of carpe diem as almost a crutch, to avoid thinking about one of woman’s mother who has cancer and who eventually passes away from it. The story opens at the mother’s funeral and explores the women’s past together and how they have grown apart. I really liked it, and I found both the narrator’s voice and the main character, the narrator’s friend, quite compelling.

However, occasionally I found the stories in the journal to be clichéd, with characters or situations that were predictable. Overall, I liked the story “A Bellyful of Sparrows” which is told from the perspective of an ailing Southerner with lung-cancer living in an RV. In general, I found his character to be quite fun to read about. He still craves cigarette smoke, despite the fact that he has to breathe from an oxygen tank, and he craves the taste of squirrel. But when he nearly dies at one point and he starts to see his life flash before his eyes, I rolled my eyes. In general, I saw a few moments like this in the stories I read, but of course all literature is susceptible to falling back on formulaic templates such as that one. In general, even in the stories I found to be clichéd, the writing was intricate, detailed, and vibrant, so I could get past a few clichés.

I also highly enjoyed reading the essays and interviews in the journal, which had a wide range of fascinating topics, from one man who lives in New Mexico reflecting on the importance of the atomic bomb in his life, to a woman discussing an enigmatic figure from her past, her landlady’s son, whose life profoundly touched hers. Reading essays like these ones really makes me want to try my hand at creative nonfiction. They are able to weave real moments together to form a coherent narrative that reads like literature, but carries more weight because it has the emotional backing of the author who is invoking his or her personal experience.

The Missouri Review accept online submissions, but they do charge $3 per submission. This magazine is highly competitive, so I would advise only submitting your best work to it and to be ready for a polite rejection letter in response. Personally, I think my writing is not yet at the level of the works that I read in the journal. That won’t stop me from trying to improve and to continue to submit my writing to places like the Missouri Review, even if I don’t have much of a chance. However, if your writing is really good, you do have a chance to be published. The Missouri Review does publish new or emerging writers quite often. For example, one of the writers I interviewed for this blog, Julia Glassman, had one of her first publications in the Missouri Review.

For More Information

The Missouri Review

Website: www.missourireview.com

Fall Writing Contests and Submissions

It has been a while since my last post in July, but I’ve been so busy this past month, I haven’t had a chance to blog. I’ve been writing a couple articles for different publications, and once they are published I will be sure to spam you with links to them, don’t worry. In the meantime, I’ve been checking out more literary journals online and otherwise. We are nearing fall, and it turns out there are some great literary contests with upcoming deadlines.

You may wonder, why is a writer telling me about these contests? Isn’t she in direct competition with me for these prizes? You are right, of course. But I’m a nice person so that won’t stop me from telling you about these contests anyway. If you do win one of these competitions and you learned about it from this blog, please tell people about my website, at the very least.

Without further ado, here are some of the contests and open submissions at literary journals this fall. Happy writing and good luck!

 

The Missouri Review: Editor’s Prize

Deadline: October 1st

Every year The Missouri Review offers the Jeffrey E. Smith Editor’s Prize in three categories: poetry, fiction, and essay. The first place winners in each category receive a whopping $5,000 reward. You can bet the competition is stiff for this one, but I would still give it a shot. The Missouri Review says on its website that it has published “the first short story of more than 100 new fiction writers.” One of those writers who got their start with a publication in The Missouri Review, is Julia Glassman, a novelist who I interviewed earlier this year. The cost of entrance for this contest is $20 ($23 if you submit online), but I think it’s worth it because you get a free subscription to the journal for a year with your submission.

For More Information: www.missourireview.com/tmrsubmissions/editors-prize-contest

 

Spark Anthology: “Monsters and Marvels” Contest

Contest Dates: September 15- October 1

The Spark Anthology is a journal that offers publication and compensation to emerging writers for high-quality writing. It was established by alumni of the California State Summer School for the Arts, which I attended for Creative Writing back in 2009. Its current contest, which starts on September 15 and has a deadline of October 1 is themed “Monsters and Marvels.” They are offering prizes in three categories: prose, poetry, and artwork. First prize for all categories is $500 and publication in the magazine, and the details for the second and third prizes are on their website. And there’s no entry fee for this contest. Here is what the anthology says they are looking for: “Like darkness and light, Yin and Yang, monsters and marvels are two sides of the same coin. Each entry should include both a monster and a marvel—though ‘monster’ and ‘marvel’ may refer to same element of your entry. ”

For More Information: sparkanthology.org/contests/seven/

 

Sixfold

Deadline: October 24

Sixfold is one of the most intriguing online journals I’ve yet to encounter. I stumbled upon it last week when I saw that one of my friends and creative writing colleagues, Nancy Nguyen, had been published in it. Here’s her short story, “Truck Stop” (It’s really good by the way). I checked its submissions page, as I always do when I come across a new journal. It turns out Sixfold is a crowd-sourced journal. I’ve been meaning to write a whole blog post just about this journal, and probably will, but here’s a preview: to figure out what writing goes in each issue, Sixfold asks writers to vote and rank other people’s submissions. When you submit to the journal, you agree to read, edit, and vote on other submissions in your genre for several different rounds of consideration. The highest-voted stories and poems get published, and even the writers who don’t get published will receive feedback on their story from other writers. I think that’s pretty darn cool.

For More Information: www.sixfold.org/howitworks.html

 

Journals With Open Submissions This Fall

 

Transcendence Magazine

Open Submissions: September 5 – October 17

You may remember I reviewed this upcoming journal a while back. They are taking submissions for their second issue which is themed “People.” Here is what they say they want: “Tell us about a person who changed your life for better or worse, one who made a single impression on you before disappearing forever, or one you never met at all and never will. It doesn’t have to be non-fiction, but you should make us feel like it is.” They accept prose, poetry, and art.

Website: transcendencemag.wix.com/transcendencemag

 

Barely South Review

Open Submissions: September 1 – November 30

If you forgot about this journal, check out my review of this wonderful review. They are currently accepting submissions!

Website: barelysouthreview.digitalodu.com

 

Blackbird

Open Submissions: November 1 – April 15

One of my favorite online literary journals opens its gates to submissions on November 1.

Website: blackbird.vcu.edu

 

Cortland Review

Open Submissions: October- June

Another journal I previously reviewed, they accept submissions starting in October.

 

The Adroit Journal

Open Submisisons: Starting October 15

This journal is of particular interest to current students (both undergraduate and graduate) because they have prizes for student writers. Their submissions open up mid-October.

Website: www.theadroitjournal.org

 

Just as these literary journals are gearing up, this blog will be gearing up too. If you enjoy writing about literary topics, and you want to write for this blog, I am currently looking for contributors. You can email me at litbloom@gmail.com.

#Twitterfiction

You may have heard that this past week David Mitchell, author of several novels including Cloud Atlas, was live-tweeting a short story called “The Right Sort” on his twitter.

If you haven’t checked it out yet, I recommend that you do. He isn’t the first major author to dabble in the new genre of twitterfiction; other well-known authors who have published through Twitter include Jennifer Egan and Teju Cole. But this was my first experience reading a live-tweeted short story, so while reading it, I began to wonder how viable of a platform is Twitter for fiction, especially for emerging writers who don’t have the follower base that bestselling authors do.

For authors like David Mitchell, Twitterfiction is more of a marketing tool than a sincere publishing platform. Nevertheless, we can learn a lot from “The Right Sort.” The form of tweets, which must have 140 characters or less, is not extremely conducive to reading, since only a sentence or two at most can be tweeted at a time. I thought Mitchell did a good job working with the form to achieve the tone and style he wanted for his narrator. The narrator, a teenage boy hopped up on Valium, remarks,

Valium breaks down the world into bite-sized sentences. Like this one. All lined up. Munch-munch.

Thus Mitchell’s narrator has great tweet-sized thoughts most of the time that fit well with the format. (Is Mitchell critiquing the Millenials’ miniscule attention span through his narrator Nathan’s tweetable voice?) Later the short, jarring sentences transform into confusing stream-of-consciousness, when the narrator’s tone changes and he becomes terrified and disoriented. Finally, closer to the end of the story, the story tends towards the surreal. But I think this format in 140 character pieces still works, because the tweets allow for the narrator’s strange impressions and thoughts to feel fragmented even as they run together.

It would have been easier to read the story just typed out, of course, but I can see why twitterfiction is appealing. Using twitter, authors deliver a story serially, creating suspense that keeps the reader interested. I’ve written about serial online writing before in my article about different online writing platforms and in my article about the online journal Five Chapters, and as a member of the social-media consuming Millenial generation, I can see the appeal in munching on a story in “bite-sized sentences,” as opposed to being confronted by a large mass of text. It’s like the difference between shoveling down three-course meal at the end of the day versus chewing little snacks throughout the day. The snacks aren’t necessarily good for you, and you might still be hungry, but at least you’ve kept your jaw busy.

So does that mean we should all start composing our short stories and poetry with 140 characters-per-line enjambment? Perhaps, but I really think it depends on what you’re trying to accomplish with twitterfiction. Are you attempting to write the next great American novel and post it on Twitter? If so, the genre of twitterfiction is probably not for you. A Hemingway novel might be tweetable, that’s true, but I can’t see anyone trying to slosh their way through an ocean of long-winded Steinbeck-style tweets. I’m not trying to diss Steinbeck- I love his style, but let’s face it, The Grapes of Wrath is just not appropriate for twitter.

What is the ideal situation for posting twitterfiction then, if you’re an emerging writer? Well, for the people who are interested in Twitter as a flash fiction or poetry platform, there are a few twitter accounts that are self-styled twitter-zines. They curate fiction tweets, and submission is as easy as using the right hashtag or mentioning the zine in a tweet. A couple twitterzines include 140 characters and nanoism.  Both accept submissions via email. Check out the Submission Info below for more details.

Twitter might have some other innovative uses for writers and editors of literary magazines looking to promote fiction. Why not use the short format to present the first sentence of a short story with a link to its publication, using a tweet as a hook to draw in readers? That seems to be what all the major news outlets do these days to try to get people to watch their videos or read their articles, so why wouldn’t it work for fiction?

Of course, these techniques assume you already have a follower base. If you don’t have a large follower base, I suggest working on building one first before trying to market through Twitter. As I type this, I have fewer follows on Twitter than I would like, but actually just through the act of putting tweets out there with hashtags to garner attention for yourself, you can start to gather more followers (Shameless plug: you can follow me on twitter @hapawriting). And you don’t have to feel guilty about attention-seeking because it’s all for the sake of your career as a writer, right?

If you have thoughts on how to use Twitter as a useful writing and publicity tool, please share them in the comments below. I’m interested to hear about your experiences with twitterfiction.

Submission Info:

140 Characters

Direct message TwitterFiction on Twitter, or email your short stories to twitterfiction@gmail.com. Submissions must be 140 characters or less, of course.

Nanoism

Email submissions to editor@nanoism.net, include your name, bio (up to 134 characters), and subject line: “Nanoism Submission”

 

 

Transcendence Magazine

I was impressed by the inaugural issue of Transcendence Magazine, an online journal started by a senior in high school. Its presentation is professional and its content is high caliber. The magazine contained some really insightful and beautiful pieces, and I also think it has a lot of potential to grow, especially if it narrows its literary gaze. Right now, I think it extends itself too broadly, including pieces that are real gems and other pieces that are mediocre. It also has not yet cultivated a defining taste-  in my opinion, there didn’t seem to be much of  a pattern for how the pieces in the issue fit together.

The first issue, which came out this past spring and contains fiction, poetry, art, and interviews with artists, would be quite hefty if printed on paper, since it is 82 pages long. However, it’s in an online format that is relatively easy to read. Still, I think the magazine would benefit from being slimmer because then it would be more digestible. Unfortunately, it’s hard enough these days to entice people to read literature, and an 82-paged magazine that’s not yet well-known might be too much trouble for many who are just dipping their toes into the literary pool. The quality of the pieces in the issue varied. I must give a disclaimer, of course, that I was judging the works based on my own personal taste, so another person may have liked the stories and poems that I found to be just okay. The poetry was hard for me to judge since, as I’ve said before, I’m not much of a poetry reader and thus poems must be really accessible and thought-provoking for me to like them. Some of the fiction pieces were really good; others had interesting premises but just didn’t quite capture my attention for one reason or another. Below are a few pieces that I enjoyed. I recommend checking out the issue as a whole to get a sense of the kind of writing the magazine is interested in. Fiction-“Jade” by Ethan Brightbill (on p. 42): a short story about a homeless girl on the streets of modern-day Yuexiu, a developing city in China. I liked this one mostly because I found the setting to be very detailed and believable and the narrator had a strong, compelling voice. Poetry- “Tattooed” by Armit Pamesseur( p. 13): I don’t always “get” poems, and sometimes I don’t think you need to really get exactly what they’re driving at to appreciate them as aesthetic works. I liked the rhythm and imagery of this poem and the ambiguity of the meaning of the woman’s tattoos, and how the poem seems to take on a spiritual tone despite its rejection of religion that condemns the woman’s actions. “Instead of Discussing Marriage” by Glen Armstrong (p. 36): This is one of those poems that almost anyone can enjoy, whether they love reading poetry or not. The speaker lists all the things he should have done instead of discussing marriage with his girlfriend. It’s playful and funny but also thoughtful, and I really like it. Another aspect of the magazine that piqued my interest are the interviews it has with artists from around the globe. I was surprised by the global reach of the magazine. There were interviews with artists from America, China, and Russia, and two were with young, emerging artists in their field. I really liked the interview with Fei Wu, a Shanghai writer (p. 38) because it explored issues of censorship in the literary world in China, which I know a little about from taking Asian American lit classes. It was interesting to hear from the perspective of an artist who is living in the midst of China’s literary scene, since I mostly have met and read ex-patriates. Overall, I look forward to seeing what Transcendence Magazine will come up with in its next issue. I plan on possibly submitting some works and seeing what comes back. Their criteria for submission is an emphasis on stories, both in poetry and prose. They want captivating language too, but they are mostly looking for narrative voice and plot, and they are not as interested in experimental works. Their submissions are currently closed, but they will start accepting submissions again in the fall.

For More Information:
Transcendence Magazine
Website: transcendencemag.wix.com/transcendencemag

The Adroit Journal

The Adroit Journal is a great platform for emerging writers and unique voices. I was compelled by nearly every piece in its latest issue, Issue Eight. The online journal, which was started in 2010, publishes poetry, short fiction, and art. One thing I noted reading all of the biographies of the contributors is that the grand majority of them are young- either high school students or undergraduates. But before you scoff at comparing yourself to high school students, check out the work in this journal. It radiates promise. I wish I had been writing that well as a high-schooler. Hell, I wish I could write that well now.

The poetry in this journal is in some ways experimental. It is mostly free verse with some prose poetry sprinkled in. What I found remarkable about it was the poetry’s readability.  I often feel like an unwelcome visitor when reading poetry because the poets are speaking in a hidden language that I don’t understand, even when I apply myself to understanding the text. But these poems opened their arms to me, and even when I wasn’t sure what was going on, their language was inviting at least. My favorite poem from this issue is “How We Make Love” by Cheryl Julia Lee, which uses a beautiful and very concrete metaphor, comparing “making love” to folding origami. I like how the whole poem plays on the phrase “make love,” turning love and physical intimacy into a product of art that has a process and a meaning that lasts beyond the time of its creation.

If I had to describe the fiction from this issue, I’d call it “quirky.” Many of the pieces are wacky and fun, but still tackle deeper issues at the same time, such as “Josephine March Sighs With You” by Erin Entrada Kelly and “How to Keep Animals from Defecating in Your Closet” by Mary Sheffield. Others were darker and more serious.  The Adroit Journal accepts stories that are up to 2,500 words, so most of the stories could be classified as “flash fiction.” The story, “The Hubei Boys” by Christina Qiu is the most striking to me. I love its meditative tone and how it gives insight into the daily life of Chinese schoolboys and peasants.

The journal also is unique in its commitment to supporting human rights causes in other countries. Its most recent issue features poems by Zimbabwe writers, which the journal found by working in partnership with the Zimbabwe Poets for Human Rights organization. These poems are really thought-provoking and worth checking out.

Submission Information:

Next Deadline: April 1st, so send in your best work quickly!

For More Information

Website: theadroitjournal.org