July Recommendations

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Image: matryosha

While trying to decide how to re-vamp this blog, I’ve been plucking stories and essays from the internet here and there, reading a bit of this and that and trying to come up with some sort of system for how to read literature on the web. But I keep feeling overwhelmed by just how much content there is out there online. There are thousands of literary journals, each diligently producing issues. How is it possible to find what kind of work you like reading and how can you possibly find a place to submit to that fits your style and actually might accept your submission?

Reader, I have no easy answers for you. I wish there were some sort of cataloguing system, an app maybe (I’m not a tech person so don’t expect me to come up with this), that recorded all the different literary content out on the web and sorted it to help a reader who has some time to read from the web, but not all the time in the world, to find cool new writing. But as of right now, I have yet to discover such a system. LitHub.com  comes close- they feature content from many different magazines and presses around the web. But they don’t encompass everything. Duotrope.com is a paid service that shows you statistics about different publications, such as their response times and approximately how many people are submitting to them, but it doesn’t cover the content in the journals. I still think the best way to go about finding stories, essays, and poems that you might like is to a) make friends with other literary-minded people (whether you’re friends with them in person or just over the internet) and see what they recommend and b) find random literary journals, click on a random link, and see what they have to offer.

I’ve been doing a bit of both for the past year, and I’d like to share you, my friends, some of my personal recommendations. In each post I will feature 3-4 journals with a few works that I liked from their site. If you happen to be a writer who is featured in the journal I recommend (or in another journal), and you’re disappointed that I didn’t mention your piece, email me a link to your piece (litbloom at gmail dot com), and I’ll take a look at it. I promise you, I wasn’t trying to overlook your piece, I probably just didn’t happen to click on it. I’ll try not to feature too many of my friends’ work since I don’t think that would be totally fair, but if I really believe in the writing they’ve published, I will share it.

 

Entropy

My first recommendation for the month of is for a site for which I have a personal fondness: Entropy.  Yes, they have published two of my nonfiction essays, but aside from being grateful for their patronage, I genuinely love their site. Every couple months, they feature places to submit your writing, including journals, presses, chapbooks, and writing retreats and residencies. Here is the where-to-submit page for this summer. They also have really insightful nonfiction essays and they publish some fiction and poetry. Right now, I’m keeping tabs on the “Woven” series, essays on the #MeToo movement, including this really heartbreaking and powerful essay about the culture of sexism and sexual violence in medicine, “The Men in Medicine and the Theory of Evolution” by Helena Rho.

For more information, here are Entropy’s submission guidelines.

 

N+1

I’ve also been checking out’s N+1’s online content. I remember looking at N+1 back in my college days back when it had a barebones html design, and it definitely seems to have blossomed since then. You need a subscription to read their magazine, but they do produce some online content. Two essays I read from them recently include “The Church of Food,” by Collier Meyerson and Elias Roriques, which eulogizes Anthony Bourdain, and “An Account of My Hut,” by Christina Nichol, which recounts the author’s struggle to figure out the best way to fight climate change through collective action and storytelling while also dealing concurrently with the effects of environmental and economic degradation– wildfires and gentrification.

You can find more information about submitting to N+1 here.

 

Wildness

Another journal that I have recently happened upon is called Wildness. I skimmed through their latest issue and found plenty to encourage me to go back and read through the whole thing. The short story, “Blood Sister” by Ariel Chu, caught my eye, and I found that I really enjoyed its depiction of a brother and sister sharing a meal on their own terms, away from the expectations of their parents, but still unable to escape familial tensions. I also enjoyed the poems in the issue by Sara Ryan, “Loving With Scissors” and “Self-Portrait As/With Sister” due to their striking imagery and the sharpness of their emotional landscapes.

Here are Wildness’s submission guidelines.

 

West Texas Literary Review,

I have yet to fully explore this particular journal, but everything I’ve read so far from the West Texas Literary Review. I have enjoyed. I was particularly struck by the short story, “Thank You for Noticing” by Rebecca Jensen, when a young woman’s memory of her mother’s pregnancy resurfaces. The poem, “Alien Encounter” by Marilee Richards was a pleasant jaunt, and “Their Gaze” by Nick Conrad evoked a nostalgic lost moment of beauty.

Here are their submission guidelines.

I hope you liked some of the recommendations from this post. I plan on posting new recommendations at least once a month, barring life events that get in the way. In the meantime, happy reading, writing, and submitting!

 

 

 

 

 

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The Missouri Review

This fall, I submitted a short story to the Missouri Review’s Editor’s Prize. I didn’t win. But, luckily, the contest submission also came with a year-long subscription to the literary journal (the fee for the contest was $20). I just finished reading the fall issue, and I have to say, I really enjoyed it. I think everyone who considers him- or herself a writer should read at least one literary journal on a regular basis, and I think from here on out, the Missouri Review will be mine. While not all the stories were perfect, and I wasn’t personally interested in all of the works in the issue, overall, the review’s fall issue had fresh writing with rich language and fascinating subject matter. I definitely recommend that you check it out.

The Missouri review publishes poetry, short fiction, and essays. I found the poetry in the latest issue to be accessible. Most of it was free-verse and more on the traditional side. There was nothing that could be called experimental in all of the magazine, in fact, but that was fine by me, since I tend to like more conventional literature.

Most of the poetry I read I would characterize as concise, filled with sharp, curt images, but at the same time it was layered, ready for deeper exploration. It was the kind of poetry you could read and think that it was rather simple, but if you go back and reread it you will find more than you thought was there. One of the poems that I liked in this issue was actually reflecting on this very topic, the layers of poetry. It’s called “The Poem About the Henhouse” by Lawrence Raab, and it is prefaced by a quotation by Jose Saramago, who said that a writer can’t find much to say about a henhouse.  And of course, the poet finds a way to say something about a henhouse which is quite poignant.

As for fiction, in general I liked the short stories in this issue. In particular I really enjoyed reading “Bury Me” by Allegra Hyde which offers surprising images of a funeral and fresh portrait of a friendship between two women. During college, the two firends use spirit of carpe diem as almost a crutch, to avoid thinking about one of woman’s mother who has cancer and who eventually passes away from it. The story opens at the mother’s funeral and explores the women’s past together and how they have grown apart. I really liked it, and I found both the narrator’s voice and the main character, the narrator’s friend, quite compelling.

However, occasionally I found the stories in the journal to be clichéd, with characters or situations that were predictable. Overall, I liked the story “A Bellyful of Sparrows” which is told from the perspective of an ailing Southerner with lung-cancer living in an RV. In general, I found his character to be quite fun to read about. He still craves cigarette smoke, despite the fact that he has to breathe from an oxygen tank, and he craves the taste of squirrel. But when he nearly dies at one point and he starts to see his life flash before his eyes, I rolled my eyes. In general, I saw a few moments like this in the stories I read, but of course all literature is susceptible to falling back on formulaic templates such as that one. In general, even in the stories I found to be clichéd, the writing was intricate, detailed, and vibrant, so I could get past a few clichés.

I also highly enjoyed reading the essays and interviews in the journal, which had a wide range of fascinating topics, from one man who lives in New Mexico reflecting on the importance of the atomic bomb in his life, to a woman discussing an enigmatic figure from her past, her landlady’s son, whose life profoundly touched hers. Reading essays like these ones really makes me want to try my hand at creative nonfiction. They are able to weave real moments together to form a coherent narrative that reads like literature, but carries more weight because it has the emotional backing of the author who is invoking his or her personal experience.

The Missouri Review accept online submissions, but they do charge $3 per submission. This magazine is highly competitive, so I would advise only submitting your best work to it and to be ready for a polite rejection letter in response. Personally, I think my writing is not yet at the level of the works that I read in the journal. That won’t stop me from trying to improve and to continue to submit my writing to places like the Missouri Review, even if I don’t have much of a chance. However, if your writing is really good, you do have a chance to be published. The Missouri Review does publish new or emerging writers quite often. For example, one of the writers I interviewed for this blog, Julia Glassman, had one of her first publications in the Missouri Review.

For More Information

The Missouri Review

Website: www.missourireview.com