August Recommendations

 

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Image: Tony Hisgett

This summer has been the summer of many tabs. I always have at least 10 tabs open, and about half of them are literary journals. Part of what inspired me to come back to this blog was the renewed excitement I felt for exploring the pages of the internet following a writing workshop I took last spring. My professor, the poet Greg Glazner, asked us each to present on a particular writer whose “poetic prose” we were really fascinated by (the them of the class was “Poet’s Prose” but we read a range of texts from prose poems to flash fiction to creative nonfiction). He requested that instead of uploading pdfs of excerpts of the writer’s work, we post links. At first I was a bit skeptical of his insistence on links, since it was sometimes less convenient to find links to a person’s writing on the web than to just make a copy of pages of a book from the library. But Professor Glazner has this theory about links, that they allow us to discover more things about the writer and his or her context and also lead us on these interesting quests through the internet to find things we never knew existed.

I was presenting The Pillow Book by Sei Shonagon, a Japanese writer who lived in the Emperor’s court in the 10th century, so initially I was skeptical that I would be able to find her work published online, and I wasn’t sure if giving a link would add anything to the conversation. However, when I searched for Sei Shonagon, I stumbled upon a really insightful and informative essay by Meredith McKinney on translating The Pillow Book in the Kyoto Journal.

Ever since, I’ve been considering just how cool it is that this whole vast repository of writing is available to us for free online, and I’m continually inspired whenever I find more online journals publishing great work. Here are some of the journals that have recently caught my eye:

The Southeast Review

The Southeast Review’s journal is technically not online, but they do post fiction, nonfiction, interviews, and poetry to their “online sister,” SER TWO (which stands for This Week Online). There I found some really great writing during the past month including the short story “Ruth’s Red Ale” by Ann Stuart McBee and the nonfiction piece “Two Boyfriends” by Lareign Ward. McBee’s story ferments language in exciting ways (pun intended), and I was dazzled by the sensory details in her piece about an impoverished couple home-brewing beer while life falls apart around them. Ward’s piece depicts the strange untethered grief of a narrator who has recently lost a lover but doesn’t quite know what her future with that person would have been or if they even were heading for a future together.

The Southeast Review is affiliated with Florida State University and is currently accepting submissions in fiction, nonfiction, poetry, and book reviews. You can find out more information about their submission guidelines here.

 

The Yemassee Journal

This journal, which is run by the University of South Carolina, recently published its first online issue, which I perused. Some of the highlights from that issue include the poem “I Tried to Be a Good Mexican Son,” by José Olivarez, a prose piece called “The Saving Apocalypse” by Matthew Hummer, and “Three Poems” by Shaina Monet. Olivarez’s poem depicts the speaker’s failure to live up to his mother’s expectations and also serves as a sweet tribute to the speaker’s mother, who clearly loves her son despite his shortcomings. It’s humorous, straightforward, and filled with delightful lines. Hummer’s piece, which I think is nonfiction (although it’s not labeled) is a lament of the demise of the print newspaper and also discusses the paranoia the narrator experiences while trying to not be tracked by technology, a paranoia that feels familiar to anyone with a smartphone or a social media account. The essay slips into its subject indirectly, slyly, almost like it is is trying to hide something. Ironically, it’s online for everyone to read. Finally, Monet’s poems have a really interesting concept behind them: they are in the form of a “beau présent” which is when you take the letters of someone’s name and combine them into different words to create a poem. The form limits the writer to only using the letters available in the original word or words. Monet describes her reasons for doing this: each poem honors an ancestor of hers, persons of color who society didn’t deem worthy of recording. Her poems try to correct that injustice. The poems’ form leads to an interesting sense of circularity as you read the same letters come to life in different ways.

Yemassee is currently open to submissions of fiction and poetry. Here are there submission guidelines.

Split Lip Magazine

I like that Split Lip Magazine releases just one piece from each genre every issue. It makes reading an entire journal feel less daunting, and it will definitely keep me coming back to see more cool writing. In this latest issue, I particularly enjoyed the short story “Bound” by Belinda Hermawan and the nonfiction essay “Cary” by Lorelei Glaser. Hermawan’s story about fate and adoption drew me in from the start. The main character, a Chinese-American who was adopted, feels drawn to one of her cousins, and and that attraction is so well written that it didn’t come across as gross or weird. It was definitely original in its language and emotional intensity. On the other hand, Glaser’s story about coping with her son’s mental illness was a familiar narrative, but the details were fresh and cut to the quick.

Here’s information on how to submit to Split Lip.

I hope you enjoy these recommendations. Check in about a week from now because I have a flash fiction forthcoming in an online journal (not any of the ones I’ve featured), and I’ll be excited to announce that once it is published. I’m going to do my best to keep updating this blog at least once a month, but now that the school year is starting I will sadly have less time to peruse online journals and my tabs will be tucked away into folders, bookmarked for later. Until next time, happy reading and writing.

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July Recommendations

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Image: matryosha

While trying to decide how to re-vamp this blog, I’ve been plucking stories and essays from the internet here and there, reading a bit of this and that and trying to come up with some sort of system for how to read literature on the web. But I keep feeling overwhelmed by just how much content there is out there online. There are thousands of literary journals, each diligently producing issues. How is it possible to find what kind of work you like reading and how can you possibly find a place to submit to that fits your style and actually might accept your submission?

Reader, I have no easy answers for you. I wish there were some sort of cataloguing system, an app maybe (I’m not a tech person so don’t expect me to come up with this), that recorded all the different literary content out on the web and sorted it to help a reader who has some time to read from the web, but not all the time in the world, to find cool new writing. But as of right now, I have yet to discover such a system. LitHub.com  comes close- they feature content from many different magazines and presses around the web. But they don’t encompass everything. Duotrope.com is a paid service that shows you statistics about different publications, such as their response times and approximately how many people are submitting to them, but it doesn’t cover the content in the journals. I still think the best way to go about finding stories, essays, and poems that you might like is to a) make friends with other literary-minded people (whether you’re friends with them in person or just over the internet) and see what they recommend and b) find random literary journals, click on a random link, and see what they have to offer.

I’ve been doing a bit of both for the past year, and I’d like to share you, my friends, some of my personal recommendations. In each post I will feature 3-4 journals with a few works that I liked from their site. If you happen to be a writer who is featured in the journal I recommend (or in another journal), and you’re disappointed that I didn’t mention your piece, email me a link to your piece (litbloom at gmail dot com), and I’ll take a look at it. I promise you, I wasn’t trying to overlook your piece, I probably just didn’t happen to click on it. I’ll try not to feature too many of my friends’ work since I don’t think that would be totally fair, but if I really believe in the writing they’ve published, I will share it.

 

Entropy

My first recommendation for the month of is for a site for which I have a personal fondness: Entropy.  Yes, they have published two of my nonfiction essays, but aside from being grateful for their patronage, I genuinely love their site. Every couple months, they feature places to submit your writing, including journals, presses, chapbooks, and writing retreats and residencies. Here is the where-to-submit page for this summer. They also have really insightful nonfiction essays and they publish some fiction and poetry. Right now, I’m keeping tabs on the “Woven” series, essays on the #MeToo movement, including this really heartbreaking and powerful essay about the culture of sexism and sexual violence in medicine, “The Men in Medicine and the Theory of Evolution” by Helena Rho.

For more information, here are Entropy’s submission guidelines.

 

N+1

I’ve also been checking out’s N+1’s online content. I remember looking at N+1 back in my college days back when it had a barebones html design, and it definitely seems to have blossomed since then. You need a subscription to read their magazine, but they do produce some online content. Two essays I read from them recently include “The Church of Food,” by Collier Meyerson and Elias Roriques, which eulogizes Anthony Bourdain, and “An Account of My Hut,” by Christina Nichol, which recounts the author’s struggle to figure out the best way to fight climate change through collective action and storytelling while also dealing concurrently with the effects of environmental and economic degradation– wildfires and gentrification.

You can find more information about submitting to N+1 here.

 

Wildness

Another journal that I have recently happened upon is called Wildness. I skimmed through their latest issue and found plenty to encourage me to go back and read through the whole thing. The short story, “Blood Sister” by Ariel Chu, caught my eye, and I found that I really enjoyed its depiction of a brother and sister sharing a meal on their own terms, away from the expectations of their parents, but still unable to escape familial tensions. I also enjoyed the poems in the issue by Sara Ryan, “Loving With Scissors” and “Self-Portrait As/With Sister” due to their striking imagery and the sharpness of their emotional landscapes.

Here are Wildness’s submission guidelines.

 

West Texas Literary Review,

I have yet to fully explore this particular journal, but everything I’ve read so far from the West Texas Literary Review. I have enjoyed. I was particularly struck by the short story, “Thank You for Noticing” by Rebecca Jensen, when a young woman’s memory of her mother’s pregnancy resurfaces. The poem, “Alien Encounter” by Marilee Richards was a pleasant jaunt, and “Their Gaze” by Nick Conrad evoked a nostalgic lost moment of beauty.

Here are their submission guidelines.

I hope you liked some of the recommendations from this post. I plan on posting new recommendations at least once a month, barring life events that get in the way. In the meantime, happy reading, writing, and submitting!

 

 

 

 

 

Barely South Review

The Barely South Review is an online journal published twice a year by students and faculty at the MFA program in Old Dominion University in Norfolk, Virginia. It was established fairly recently, in 2010. The review caught my eye with its elegant online display which allows you to flip through it like a print journal. These days, online presentation is becoming more and more important as print publication is increasingly less viable and less attractive for new journals. If the design of the website catches my eye, I’m more likely to continue reading to see if I also find the contents interesting.

Barely South publishes fiction, poetry, and nonfiction selections. They also publish the winners of the annual Norton Girault Literary Price and the American Academy of Poet’s University Prize. The review publishes both established and emerging writers and according to their website, they hope to “present many voices, especially those that defy easy regional, thematic, and stylistic categorization.” What I noticed from reading their latest issues is that they tend to publish fresh, youthful writing that reflects the spirit of American rural or suburban life. The selections in the review are not pretentious by any means, and they vary in tone from whimsical to painfully realistic. Some of the fiction, such as the story “The Oedipus Pact” by Brandon Bell in the Fall 2013 issue. Other writing is situated in a particular corner of American and reveals a glimpse into life in that area, such as the story “The Ecstatic Gringo” by Zachary Amendt in the spring 2013 issue, which depicts in gritty detail the impact of the economic collapse on one couple in Detroit.

I enjoyed the direct, crisp voice of the narrator in “The Oedipus Pact,” which I thought caught a concise snapshot of contemporary teenage-parent conflict. I also liked the story “Recipe for Everything” by Sarah Domet in the Spring 2013 issue, which tells the story of a pregnant woman who moves next door to a mysterious, exotic possible witch with a “recipe for everything.” The narrative combines neurotic voice of the anxious pregnant woman who has already lost four pregnancies to miscarriage with tangible sensory imagery evoked by the descriptions of the neighbor Yasamine’s spice recipes, creating a rich and fascinating tale.

The poetry in the review leans towards less experimental and more traditional poetry, mainly free verse, but the latest issues have featured some prose poems and other experimental forms. The themes on the poems vary widely, but most seems to connect to American life. The two poems by Maurice Emerson Decaul in the Spring 2013 issue struck me as fascinating. The author took slave narratives compiled from the Federal Works Project during the Great Depression and interpreted them in verse. I thought the poems displayed a unique way for a writer to preserving voices from the past while also placing his own creative mark on the narratives.

The nonfiction section contains mostly creative nonfiction essays. My favorite piece in the Fall 2013 issue was the essay “(Searching) Love, Lust, and I” by Garrett Dennert. The format, which is not quite an interview or a formula but something close, fits the piece well. The narrator, who is a young man trying to understand his past relationship’s failures and successes is searching for some kind of sense in his muddled love life, and his attempt to systematically address each issue, category by category, reflects his desperate grasping for meaning. In the end, the form does allow him to make some conclusions, but only ones that come too late. The story makes you wonder whether this type of introspective interrogation of the past does any good, since you only clearly see your mistakes in hindsight.

I offer one main critique to the editors the Barely South Review: if their goal is to really aim for a diverse group of voices, they should seek out a wider range of writers and poets from different backgrounds. The majority of the writing represented in the review reflected the contemporary economic and social realities of lower-to-middle-class whites. Overall, I thought the reviews’ selections displayed excellence and originality.

Submission Periods:

September 1 – November 30 for the Spring Issue

January 1 – March 31 for the Fall Issue

For More Information

The Barely South Review

Website: barelysouthreview.digitalodu.com