LitBloom is Back, Again!


If you’ve been following this blog for a while, you might have noticed this is the first post I’ve made in 2 years. It turns out when you are trying to work a full-time job, it’s hard to keep up with the online literary world. I started out this blog in my senior year of UCLA back in 2013 as an assignment for a Professor Mona Simpson’s Senior Seminar called “Literary Life.” This was supposed to be a project that I could carry into my adult life to keep me connected to my passion for literature, especially online literature.

The goal of LitBloom was to help emerging writers like me find out more about online literary journals so they could submit to them. Of course, there are a number of other similar websites that to provide a more comprehensive overview of the online literary landscape, which I have listed in my Useful Links page.

I also created this as a personal project to prod myself into exploring and reading more literary journals. In the past few years, I have often perused journals online, mostly by reading links that I find while scrolling through twitter quite often. But I haven’t had much time to systematically read through journals in order to review them and post about them. Since the pandemic started, I have had more time to participate in the online writing community, and many new journals have sprung to life during the past six months. It’s exciting to see journals and magazines publishing a flurry of new work, often highlighting BIPOC and LGBTQ authors. The online literary world seems like one of the few bright spots during this turbulent time, although this has also been a period of reckoning for many literary venues, as many journals and websites have been justly critiqued for of the lack of representation of people of color and for publishing works that promote white supremacy. If you don’t know what I’m talking about, here’s an article about one of the main culprits.

As I take this blog into a new stage of its existence, I am trying to determine what direction I want to steer it in. I’ll be honest– I don’t have time to fully read literary journals cover to cover in order to review them. I think the format of most online journals, which are organized by links, rather than by page numbers, lends them to piecemeal reading. I don’t think that’s a bad thing. On some days, I will read a poem, and it might draw me into reading other links on the journal’s website, until before I know it, I’ve read most of that magazine’s latest issue. On other days, there will be an essay or a short story that catches my eye from a link on twitter, and I will keep it in a tab and save it for days until I have time to read it. Then once I read it, I’m satisfied, and I don’t explore anything else on the site. It’s nice to have the choice to read an excerpt without worrying about wasting reams of printed paper if you don’t read anything else in that particular issue.

My vision going forward for this website is that it will continue to be a place to publish recommendations of journals I come across and literature that I read. But it will also be a place where I will comment on trends in the online literary world and reach out to like-minded writers who feel like they want to be participants in this online literary party, but they don’t have much published yet or they just feel daunted by the prospect of submitting to places they don’t understand. I want to post about how frustrating it can be to have this goal of having a writing career, but to not see writing or literature valued by anyone except those who are already in the literary bubble.

I’ve been submitting to literary journals for almost a decade now, and I’ve been lucky enough to have several pieces accepted and to have been published twice in anthologies. I also have had a lot of headwinds helping me, my white privilege (although I’m only half-white, I look white), my middle class upbringing, and my lack of student debt that allowed me to to pursue a creative writing graduate degree without financial concerns. But even with all of these advantages, I still feel like it’s an uphill battle to pursue writing as a career. I’ve only been paid once for my creative writing. Once.

So to all of the emerging writers who feel like you’re barely able to keep up with the literary world while you try to make a living for yourself, I will try my best to give you some suggestions and encouragement to keep you going as you try to submit your art to what feels like the void. If you stick around and read this blog, I hope it will bring you one step closer from being an “emerging” writer to the dazzling author you wish to become once you emerge.

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Turning A New Page

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Image: Barry Silver

Four and a half years ago, I started this blog as an assignment for my senior seminar at UCLA, “Living a Literary Life.” I was really excited to take that class because a) it sounded perfect for me as an aspiring writer, b) it was a project based course, so rather than requiring a seminar paper at the end, it culminated in some sort of practical application of our choosing and c) the class mostly consisted of attending literary readings on campus, which I would do for fun anyway. The premise of that course, my professor explained, was to demonstrate our commitment to the literary world beyond our time as English majors at a university.

As a senior in college, I was excited by the prospect of finishing school while continuing a “literary life,” but I was also terrified that without the deadlines of workshops to keep me motivated, I would not write after college— or, even worse, I would write but I would never finish anything. So here I was, afraid that my brief career as a writer would come to a swift end upon graduation. In order to combat that fear, I decided to make a blog reviewing literary journals to see what was being published on the internet. I hoped that if I could find places that I liked to read, I would figure out the best places for me to submit my own work. As long as I had the goal of submitting to places, I would keep writing.

From this blog, I discovered several really amazing lit mags such as [PANK], The Adroit Journal, and Joyland Magazine among others. Later that year, I had my first short story published in an online journal, The Blue Lake Review, which I learned about from a follower of my blog. I also realized that there’s so much good work out there, it’s impossible to read all of it. This discouraged me, and as I got busier with my jobs and then with grad school apps, I stopped posting on this blog.

In September of 2016, I began grad school at UC Davis’s MA program in Creative Writing. I pretty much focused all my time on the demands of grad school, and I started blogging for The MFA Years. I always meant to come back to this blog later, but I realized during grad school that my relationship to literary journals and how I engage with online work has completely changed since I was in college. I began following literary magazines on Twitter, and I realized that I don’t have the time or attention span to read complete issues of magazines. Instead, I started reading links here and there of works published in online literary journals. If I really liked a piece from one journal, I’d also check out some of the other works they recently published.

I’ve often been told that in order to find out where my work would be a good “fit” I should try to read the latest issues of lit mags or look where your favorite writers were published. The first suggestion is somewhat impractical— I just don’t have time to read front-to-back issues of all the journals that interested me. The second suggestion is also rather unrealistic. Just because I know my favorite author X has been published in Y magazine doesn’t mean my work is in any way good enough to be published in Y. That’s not to say I shouldn’t try my luck at Y magazine anyway. But I recognize that my writing is still developing. So instead, I’ve tried to find a more reasonable way of engaging with the online literary world. Here’s my current method.

Step 1: Follow a bunch of awesome literary journals on Twitter. It doesn’t even matter if I’ve never heard of them before because they might be publishing really cool stuff. I’ve used the list feature to make a list of literary journals, and then I can check them out in more detail in my spare time.

Step 2: Follow a bunch of writers on Twitter, including famous authors and “emerging writers,” people who have been published in some literary journals but not many, people in MFA programs, and people who are just like me, interested in writing but not yet “successful.” I found a lot of online writing friends from the MFA Draft Facebook group, which is a community for people interested in applying to MFA programs. And once I was in grad school, I continued to expand my network of writers. But my end goal of this “networking” isn’t to weasel my way into literary journals. Having connections can help, but I was more interested in genuinely connecting to like-minded young writers whose writing I want to support.

Step 3: Read interesting fiction, non-fiction, and poetry as I see fit. I tend to just click on links that sound intriguing to me, instead of force-feeding myself whole issues of journals. Engaging with literature online shouldn’t feel like a chore. It is supposed to be fun and thought-provoking.

Step 4: Make a note of journals that published works that I particularly liked, and make a note of interesting writers that I discover through my literary web surfing. Follow those journals, and follow those writers, go back to Step 1 and repeat.

When I’m looking for places to submit my work, I go back to my lists of places where I read works that I liked. Then I read a few more pieces from that journal to get a sense of whether my writing seems like it would “fit.” Honestly, I usually still have no clue after doing this if my work would “fit,” but it gives me an excuse to read some more cool stuff, so I do it anyway. I make sure my work follows the journal’s guidelines, I submit it, and I wait several months to hear a response. Which is, most often, rejection. Still, the few positive responses I have received have really kept me going.

Four years after graduating from college, I’m just as committed to living a literary life as ever. I’ve come to a crossroads again, since I just graduated from my MA program in Creative Writing. An MFA might still be in my future, but I’ve decided for now to go into teaching and take a step back from the MFA world. That doesn’t mean that I will stop writing; quite the contrary. I feel more equipped than ever to keep writing, revising, and submitting, even while working full time. But I’ve also decided to revamp this blog so that I can continue to demonstrate my commitment to online literature, but in a way that now fits my lifestyle better.

So instead of writing reviews of whole journals, I’m going to start posting links to published works. This is more for my benefit than for anyone else, to keep me accountable, but if you also happen to enjoy my taste in literature, maybe you’ll find these links fun to check out. Just to warn you, since I’m a prose writer, the links I’ll post will be biased towards fiction and nonfiction, although I will try to include some poetry too. Basically if you want a curated list of some cool online literature, which I will post somewhere between every 2 weeks to every month, keep following this blog. The posts will be different than before, but the concept is the same: to help emerging writers, like me, find literary journals that they can read and submit to.

If you made it this far into my blog, thanks for reading, and stay posted for more updates.

-Molly

P.S. I also made a personal website to promote my writing. Check it out: mollymontgomerywriter.com and check out my Twitter: @mollywritesalot

P.P.S. If you like my blog, please check out The MFA years, where I have been a contributor for the past couple years. There are some amazing emerging writers blogging there, and I’m humbled to have posted alongside them. It’s a great resource for people interested in applying to grad programs in Creative Writing.

Post NaNoWriMo (and Sixfold) Reflections

I’m back from my month long hiatus for NaNoWriMo. I did, in fact, succeed at writing 50,000 words! And to boot, I almost finished an entire novel, although it’s a very rough draft that would need a lot of work before being publishable. Meanwhile, I also spent most of November and part of December participating in the selection process for the online magazine, Sixfold. If you don’t know what Sixfold is, I wrote a review about it a while back. It’s an online journal that allows writer to submit their work to vote on other people’s submissions to determine who gets published. I’ll soon be back to my regular reviews of literary journals and writing-related websites, but until then, here are my thoughts on NaNoWriMo and the Sixfold voting process.

This was my first year doing NaNoWriMo, and it was definitely a month of learning and growing for me as a writer. I think the best thing you get out of NaNoWriMo, whether you reach 50,000 words or not, is an incredible rush of creative energy. During the first couple of weeks, I wrote for one to two hours every single day, hardly skipping a day. (I might note that I actually only work part-time right now so I had a lot of free time to spare). During the middle of the month, fatigue started to set in, but I had already gotten off to such a good start, that I knew I could finish if I just kept up a steady pace. During the month of November, I lived, breathed, and slept my plot. I dreamed sentences and spent my days at work trying to ignore the characters in my mind who were constantly vying for my attention. And even when I felt like I had hit a wall, I drilled through it with my writing. I just kept on throwing words at it until I carve a way through.

As a result, I think my novel is probably the sloppiest thing I’ve ever written. I took no time to think about whether I sounded cliched or whether the words even made sense. Thus, it needs a lot of reworking. In fact, I’d probably have to write most of the sentences from scratch to fix it. But what I did get out of NaNoWriMo was a plot. I had barely sketched an outline for my novel, and I realized that as I pushed it farther and farther, it started to roll on its own, like a rock falling down a slope. The characters acted in ways that I never expected them to, but in ways that made perfect sense. And complications and developments in the plot that I had never anticipated arose. Now, if I go back and revise it, at least I have a solid, organically grown story to work with, even if the words need fine tuning.

After NaNoWriMo ended, I felt hollow. It was strange. I had been writing so much for the past month that if a day passed by where I didn’t write, I had the same feeling as when you eat a ton of donuts and don’t excercise that same day. It’s like the words that you don’t spill out accumulate like layers of fat. NaNoWriMo gave me a thirst to write, one I already had before, but it’s stronger now. I write almost every day now, because now it’s a habit, an addiction.

But what I learned from NaNoWriMo is that the binge-writing, it’s like eating lots of candy. It makes you super hyper, but leaves you with little nutrition. As much as you need a burst of binge-writing once in a while, for the most part the real work of writing is in the chewing and digesting of minute details, on the level of words and sentences. Nothing is perfect in the first draft. To get to the real vitamins and protein, you have to process writing, work through it, over and over and over again. And that I always dread, because unlike eating candy, it’s not always fun. It takes hard work and nail-biting and screaming into pillows in frustration. And that’s where I’m currently at with some of my writing. But the end product that emerges will hopefully be worth it.

While I was participating in NaNoWriMo, I also was participating in Sixfold’s fall voting process. I submitted one of my stories to Sixfold and paid an entry fee of $3 to have my work considered. As a participant, I read three rounds of six short stories by other writers, voting on them and commenting on them. At the end of the three rounds, the rankings of the short stories were revealed.

I have mixed feelings about my participation in Sixfold. First of all, let me be perfectly honest: my writing didn’t make it past the first round and was ranked something like #127 out of #369 (on the bright side, still in the top half!). And maybe I do feel a little bitter about that, as one always does after rejection. But putting that aside, there were still some larger issues I think the website needs to address.

Honestly, I really enjoyed reading everyone else’s stories, commenting on them, and ranking them. I went into full writing workshop mode, and gave detailed feedback to nearly all eighteen stories that I read. I made sure to give constructive criticism, always pointing out what I liked, and how I thought the stories could be improved, and most of all, I tried to keep a positive, respectful tone, even when I hated the piece or didn’t understand it at all. That’s why when I saw the feedback for my story, I felt rather cheated. Even though I didn’t make it past the first round, I at least expected to find some helpful comments about my work. After all, Sixfold purports itself as being helpful to all the writers who participate. Sadly, this was not the case for me. Most of the comments I received were less than fifty words of writing. A few were very positive, but gave absolutely no suggestions for improvement. Although they helped my wounded ego, they were not really that beneficial to me as a writer. Then there were a couple comments that were negative. I expected negative comments, that’s fine. But they were either extremely short and therefore not helpful, just pointing out what I did wrong, or they elaborated  in depth on everything they didn’t like, again not giving any sort of suggestion for how I could improve. Maybe my expectations were too high because I’ve spent a lot of time in writing workshops where everyone gives really thoughtful, constructive feedback. I was disappointed.

I think one way Sixfold could address this problem is to at least make a mandatory minimum word count for how long the comments should be. Because there’s absolutely no way that comments that are three words long can be constructive. They could mandate that during each round, you have to write at least 75 words minimum. If people needed to write more, then maybe they would start to point out more suggestions for improvement. It wouldn’t be a guarantee, but maybe it would help writers like me who do not make it to the top rounds have a better experience with the voting process overall. Unfortunately, I don’t think I will be submitting to Sixfold again, because for the amount of time that I spent reading and editing other people’s work, the payoff that I received was not enough.

Well, those are my thoughts on NaNoWriMo and Sixfold. Check this blog again soon. I’ll be posting more reviews and articles in the next few weeks and months.

Fall Writing Contests and Submissions

It has been a while since my last post in July, but I’ve been so busy this past month, I haven’t had a chance to blog. I’ve been writing a couple articles for different publications, and once they are published I will be sure to spam you with links to them, don’t worry. In the meantime, I’ve been checking out more literary journals online and otherwise. We are nearing fall, and it turns out there are some great literary contests with upcoming deadlines.

You may wonder, why is a writer telling me about these contests? Isn’t she in direct competition with me for these prizes? You are right, of course. But I’m a nice person so that won’t stop me from telling you about these contests anyway. If you do win one of these competitions and you learned about it from this blog, please tell people about my website, at the very least.

Without further ado, here are some of the contests and open submissions at literary journals this fall. Happy writing and good luck!

 

The Missouri Review: Editor’s Prize

Deadline: October 1st

Every year The Missouri Review offers the Jeffrey E. Smith Editor’s Prize in three categories: poetry, fiction, and essay. The first place winners in each category receive a whopping $5,000 reward. You can bet the competition is stiff for this one, but I would still give it a shot. The Missouri Review says on its website that it has published “the first short story of more than 100 new fiction writers.” One of those writers who got their start with a publication in The Missouri Review, is Julia Glassman, a novelist who I interviewed earlier this year. The cost of entrance for this contest is $20 ($23 if you submit online), but I think it’s worth it because you get a free subscription to the journal for a year with your submission.

For More Information: www.missourireview.com/tmrsubmissions/editors-prize-contest

 

Spark Anthology: “Monsters and Marvels” Contest

Contest Dates: September 15- October 1

The Spark Anthology is a journal that offers publication and compensation to emerging writers for high-quality writing. It was established by alumni of the California State Summer School for the Arts, which I attended for Creative Writing back in 2009. Its current contest, which starts on September 15 and has a deadline of October 1 is themed “Monsters and Marvels.” They are offering prizes in three categories: prose, poetry, and artwork. First prize for all categories is $500 and publication in the magazine, and the details for the second and third prizes are on their website. And there’s no entry fee for this contest. Here is what the anthology says they are looking for: “Like darkness and light, Yin and Yang, monsters and marvels are two sides of the same coin. Each entry should include both a monster and a marvel—though ‘monster’ and ‘marvel’ may refer to same element of your entry. ”

For More Information: sparkanthology.org/contests/seven/

 

Sixfold

Deadline: October 24

Sixfold is one of the most intriguing online journals I’ve yet to encounter. I stumbled upon it last week when I saw that one of my friends and creative writing colleagues, Nancy Nguyen, had been published in it. Here’s her short story, “Truck Stop” (It’s really good by the way). I checked its submissions page, as I always do when I come across a new journal. It turns out Sixfold is a crowd-sourced journal. I’ve been meaning to write a whole blog post just about this journal, and probably will, but here’s a preview: to figure out what writing goes in each issue, Sixfold asks writers to vote and rank other people’s submissions. When you submit to the journal, you agree to read, edit, and vote on other submissions in your genre for several different rounds of consideration. The highest-voted stories and poems get published, and even the writers who don’t get published will receive feedback on their story from other writers. I think that’s pretty darn cool.

For More Information: www.sixfold.org/howitworks.html

 

Journals With Open Submissions This Fall

 

Transcendence Magazine

Open Submissions: September 5 – October 17

You may remember I reviewed this upcoming journal a while back. They are taking submissions for their second issue which is themed “People.” Here is what they say they want: “Tell us about a person who changed your life for better or worse, one who made a single impression on you before disappearing forever, or one you never met at all and never will. It doesn’t have to be non-fiction, but you should make us feel like it is.” They accept prose, poetry, and art.

Website: transcendencemag.wix.com/transcendencemag

 

Barely South Review

Open Submissions: September 1 – November 30

If you forgot about this journal, check out my review of this wonderful review. They are currently accepting submissions!

Website: barelysouthreview.digitalodu.com

 

Blackbird

Open Submissions: November 1 – April 15

One of my favorite online literary journals opens its gates to submissions on November 1.

Website: blackbird.vcu.edu

 

Cortland Review

Open Submissions: October- June

Another journal I previously reviewed, they accept submissions starting in October.

 

The Adroit Journal

Open Submisisons: Starting October 15

This journal is of particular interest to current students (both undergraduate and graduate) because they have prizes for student writers. Their submissions open up mid-October.

Website: www.theadroitjournal.org

 

Just as these literary journals are gearing up, this blog will be gearing up too. If you enjoy writing about literary topics, and you want to write for this blog, I am currently looking for contributors. You can email me at litbloom@gmail.com.

LitBloom Updates

Again, it’s been a while since I last posted. I have been brainstorming ways of making this blog more interesting because there is certainly a lot to explore in the world of online writing. If you have any suggestions for blog posts about writing that you would like to see, please post them in the comments! I would love to have some feedback from all of you who follow this blog, whether you are writers or readers, to see what kind of resources I can provide to you all.

Keep an eye out for an upcoming post on LitBloom about different online forms of serial writing. In the meantime, please check out my short story “U-Turns Are Not Permitted” which was just published in the Blue Lake Review yesterday in their May Edition.

Thank you all for being loyal readers of my blog!

My personal literary journey

Dear readers and writers,

It’s been quite a while since my last post, but I am starting this blog back up again.  I wanted to explain why I started this blog in the first place and tell you my story of diving into the online literary world thus far.

I began this blog as a project for a seminar called Literary Life at UCLA, where I am currently finishing my senior year. Our professor, Mona Simpson, who is a well-known bestselling novelist, wanted to her students to engage in the literary world in some way, whether through attending readings, joining a  book club, or writing for a journal. She was concerned that many English majors study and read great authors during their time in college and then move on with their lives, letting go of their passions for literature and writing. Thus, she asked each of us to start a project that showed our commitment to a “literary life” that we could continue beyond the class and even beyond graduation. With graduation fast approaching, I’ve realized the importance of continuing to pursue my love for writing. One of the ways I will be doing so is by posting regularly to this website, to share with fellow readers and writers the neat literary journals I’ve found online.

I started this website because I wanted to be able to submit my own writing to the literary journals that I am reviewing, and also so that it could become a resource for other emerging writers who are interested in finding places to publish their work. I am excited to share with you that my plan has been a success: I will be published in one of the literary journals that I reviewed, The Blue Lake Review, this upcoming May!

Starting in November, I sent out three of my short stories to a total of six different journals. The majority of those I discovered from working on this blog.  I received a few rejections, which I expected. But one of them is what Julia Glassman would call an encouraging rejection, telling me that the editor liked part of my story, but that it wasn’t right for their journal at the time. And only a few days later, I heard back from the Blue Lake Review letting me know that my short story “U-Turns Are Not Permitted” had been accepted!

Before this my only creative writing publications have been in UCLA’s literary journal, Westwind. Of course, I was pleased to be published there, too, but I wanted to expand my publications beyond my school’s community, which I have now accomplished.

I’m not posting this story just to brag. Instead, I hope other emerging writers take inspiration from it. Doing research on the places where you submit beforehand and revising your story several times (in my case, I probably had written at least 4 or 5 drafts of it) can make all the difference. I hope that all of you not-yet-published writers continue to follow my blog to find journals where you can submit your work. Also, I hope that you keep on writing. In my opinion, as long as you write and you believe in yourself as a writer, that makes you one. But being published is also very satisfying and is a worthy goal to pursue. Happy writing, and please check back soon for more reviews, interviews, and writing advice!

-Molly Montgomery, LitBloom Founder and Author