July Recommendations

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Image: matryosha

While trying to decide how to re-vamp this blog, I’ve been plucking stories and essays from the internet here and there, reading a bit of this and that and trying to come up with some sort of system for how to read literature on the web. But I keep feeling overwhelmed by just how much content there is out there online. There are thousands of literary journals, each diligently producing issues. How is it possible to find what kind of work you like reading and how can you possibly find a place to submit to that fits your style and actually might accept your submission?

Reader, I have no easy answers for you. I wish there were some sort of cataloguing system, an app maybe (I’m not a tech person so don’t expect me to come up with this), that recorded all the different literary content out on the web and sorted it to help a reader who has some time to read from the web, but not all the time in the world, to find cool new writing. But as of right now, I have yet to discover such a system. LitHub.com  comes close- they feature content from many different magazines and presses around the web. But they don’t encompass everything. Duotrope.com is a paid service that shows you statistics about different publications, such as their response times and approximately how many people are submitting to them, but it doesn’t cover the content in the journals. I still think the best way to go about finding stories, essays, and poems that you might like is to a) make friends with other literary-minded people (whether you’re friends with them in person or just over the internet) and see what they recommend and b) find random literary journals, click on a random link, and see what they have to offer.

I’ve been doing a bit of both for the past year, and I’d like to share you, my friends, some of my personal recommendations. In each post I will feature 3-4 journals with a few works that I liked from their site. If you happen to be a writer who is featured in the journal I recommend (or in another journal), and you’re disappointed that I didn’t mention your piece, email me a link to your piece (litbloom at gmail dot com), and I’ll take a look at it. I promise you, I wasn’t trying to overlook your piece, I probably just didn’t happen to click on it. I’ll try not to feature too many of my friends’ work since I don’t think that would be totally fair, but if I really believe in the writing they’ve published, I will share it.

 

Entropy

My first recommendation for the month of is for a site for which I have a personal fondness: Entropy.  Yes, they have published two of my nonfiction essays, but aside from being grateful for their patronage, I genuinely love their site. Every couple months, they feature places to submit your writing, including journals, presses, chapbooks, and writing retreats and residencies. Here is the where-to-submit page for this summer. They also have really insightful nonfiction essays and they publish some fiction and poetry. Right now, I’m keeping tabs on the “Woven” series, essays on the #MeToo movement, including this really heartbreaking and powerful essay about the culture of sexism and sexual violence in medicine, “The Men in Medicine and the Theory of Evolution” by Helena Rho.

For more information, here are Entropy’s submission guidelines.

 

N+1

I’ve also been checking out’s N+1’s online content. I remember looking at N+1 back in my college days back when it had a barebones html design, and it definitely seems to have blossomed since then. You need a subscription to read their magazine, but they do produce some online content. Two essays I read from them recently include “The Church of Food,” by Collier Meyerson and Elias Roriques, which eulogizes Anthony Bourdain, and “An Account of My Hut,” by Christina Nichol, which recounts the author’s struggle to figure out the best way to fight climate change through collective action and storytelling while also dealing concurrently with the effects of environmental and economic degradation– wildfires and gentrification.

You can find more information about submitting to N+1 here.

 

Wildness

Another journal that I have recently happened upon is called Wildness. I skimmed through their latest issue and found plenty to encourage me to go back and read through the whole thing. The short story, “Blood Sister” by Ariel Chu, caught my eye, and I found that I really enjoyed its depiction of a brother and sister sharing a meal on their own terms, away from the expectations of their parents, but still unable to escape familial tensions. I also enjoyed the poems in the issue by Sara Ryan, “Loving With Scissors” and “Self-Portrait As/With Sister” due to their striking imagery and the sharpness of their emotional landscapes.

Here are Wildness’s submission guidelines.

 

West Texas Literary Review,

I have yet to fully explore this particular journal, but everything I’ve read so far from the West Texas Literary Review. I have enjoyed. I was particularly struck by the short story, “Thank You for Noticing” by Rebecca Jensen, when a young woman’s memory of her mother’s pregnancy resurfaces. The poem, “Alien Encounter” by Marilee Richards was a pleasant jaunt, and “Their Gaze” by Nick Conrad evoked a nostalgic lost moment of beauty.

Here are their submission guidelines.

I hope you liked some of the recommendations from this post. I plan on posting new recommendations at least once a month, barring life events that get in the way. In the meantime, happy reading, writing, and submitting!

 

 

 

 

 

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Fall Writing Contests and Submissions

It has been a while since my last post in July, but I’ve been so busy this past month, I haven’t had a chance to blog. I’ve been writing a couple articles for different publications, and once they are published I will be sure to spam you with links to them, don’t worry. In the meantime, I’ve been checking out more literary journals online and otherwise. We are nearing fall, and it turns out there are some great literary contests with upcoming deadlines.

You may wonder, why is a writer telling me about these contests? Isn’t she in direct competition with me for these prizes? You are right, of course. But I’m a nice person so that won’t stop me from telling you about these contests anyway. If you do win one of these competitions and you learned about it from this blog, please tell people about my website, at the very least.

Without further ado, here are some of the contests and open submissions at literary journals this fall. Happy writing and good luck!

 

The Missouri Review: Editor’s Prize

Deadline: October 1st

Every year The Missouri Review offers the Jeffrey E. Smith Editor’s Prize in three categories: poetry, fiction, and essay. The first place winners in each category receive a whopping $5,000 reward. You can bet the competition is stiff for this one, but I would still give it a shot. The Missouri Review says on its website that it has published “the first short story of more than 100 new fiction writers.” One of those writers who got their start with a publication in The Missouri Review, is Julia Glassman, a novelist who I interviewed earlier this year. The cost of entrance for this contest is $20 ($23 if you submit online), but I think it’s worth it because you get a free subscription to the journal for a year with your submission.

For More Information: www.missourireview.com/tmrsubmissions/editors-prize-contest

 

Spark Anthology: “Monsters and Marvels” Contest

Contest Dates: September 15- October 1

The Spark Anthology is a journal that offers publication and compensation to emerging writers for high-quality writing. It was established by alumni of the California State Summer School for the Arts, which I attended for Creative Writing back in 2009. Its current contest, which starts on September 15 and has a deadline of October 1 is themed “Monsters and Marvels.” They are offering prizes in three categories: prose, poetry, and artwork. First prize for all categories is $500 and publication in the magazine, and the details for the second and third prizes are on their website. And there’s no entry fee for this contest. Here is what the anthology says they are looking for: “Like darkness and light, Yin and Yang, monsters and marvels are two sides of the same coin. Each entry should include both a monster and a marvel—though ‘monster’ and ‘marvel’ may refer to same element of your entry. ”

For More Information: sparkanthology.org/contests/seven/

 

Sixfold

Deadline: October 24

Sixfold is one of the most intriguing online journals I’ve yet to encounter. I stumbled upon it last week when I saw that one of my friends and creative writing colleagues, Nancy Nguyen, had been published in it. Here’s her short story, “Truck Stop” (It’s really good by the way). I checked its submissions page, as I always do when I come across a new journal. It turns out Sixfold is a crowd-sourced journal. I’ve been meaning to write a whole blog post just about this journal, and probably will, but here’s a preview: to figure out what writing goes in each issue, Sixfold asks writers to vote and rank other people’s submissions. When you submit to the journal, you agree to read, edit, and vote on other submissions in your genre for several different rounds of consideration. The highest-voted stories and poems get published, and even the writers who don’t get published will receive feedback on their story from other writers. I think that’s pretty darn cool.

For More Information: www.sixfold.org/howitworks.html

 

Journals With Open Submissions This Fall

 

Transcendence Magazine

Open Submissions: September 5 – October 17

You may remember I reviewed this upcoming journal a while back. They are taking submissions for their second issue which is themed “People.” Here is what they say they want: “Tell us about a person who changed your life for better or worse, one who made a single impression on you before disappearing forever, or one you never met at all and never will. It doesn’t have to be non-fiction, but you should make us feel like it is.” They accept prose, poetry, and art.

Website: transcendencemag.wix.com/transcendencemag

 

Barely South Review

Open Submissions: September 1 – November 30

If you forgot about this journal, check out my review of this wonderful review. They are currently accepting submissions!

Website: barelysouthreview.digitalodu.com

 

Blackbird

Open Submissions: November 1 – April 15

One of my favorite online literary journals opens its gates to submissions on November 1.

Website: blackbird.vcu.edu

 

Cortland Review

Open Submissions: October- June

Another journal I previously reviewed, they accept submissions starting in October.

 

The Adroit Journal

Open Submisisons: Starting October 15

This journal is of particular interest to current students (both undergraduate and graduate) because they have prizes for student writers. Their submissions open up mid-October.

Website: www.theadroitjournal.org

 

Just as these literary journals are gearing up, this blog will be gearing up too. If you enjoy writing about literary topics, and you want to write for this blog, I am currently looking for contributors. You can email me at litbloom@gmail.com.

#Twitterfiction

You may have heard that this past week David Mitchell, author of several novels including Cloud Atlas, was live-tweeting a short story called “The Right Sort” on his twitter.

If you haven’t checked it out yet, I recommend that you do. He isn’t the first major author to dabble in the new genre of twitterfiction; other well-known authors who have published through Twitter include Jennifer Egan and Teju Cole. But this was my first experience reading a live-tweeted short story, so while reading it, I began to wonder how viable of a platform is Twitter for fiction, especially for emerging writers who don’t have the follower base that bestselling authors do.

For authors like David Mitchell, Twitterfiction is more of a marketing tool than a sincere publishing platform. Nevertheless, we can learn a lot from “The Right Sort.” The form of tweets, which must have 140 characters or less, is not extremely conducive to reading, since only a sentence or two at most can be tweeted at a time. I thought Mitchell did a good job working with the form to achieve the tone and style he wanted for his narrator. The narrator, a teenage boy hopped up on Valium, remarks,

Valium breaks down the world into bite-sized sentences. Like this one. All lined up. Munch-munch.

Thus Mitchell’s narrator has great tweet-sized thoughts most of the time that fit well with the format. (Is Mitchell critiquing the Millenials’ miniscule attention span through his narrator Nathan’s tweetable voice?) Later the short, jarring sentences transform into confusing stream-of-consciousness, when the narrator’s tone changes and he becomes terrified and disoriented. Finally, closer to the end of the story, the story tends towards the surreal. But I think this format in 140 character pieces still works, because the tweets allow for the narrator’s strange impressions and thoughts to feel fragmented even as they run together.

It would have been easier to read the story just typed out, of course, but I can see why twitterfiction is appealing. Using twitter, authors deliver a story serially, creating suspense that keeps the reader interested. I’ve written about serial online writing before in my article about different online writing platforms and in my article about the online journal Five Chapters, and as a member of the social-media consuming Millenial generation, I can see the appeal in munching on a story in “bite-sized sentences,” as opposed to being confronted by a large mass of text. It’s like the difference between shoveling down three-course meal at the end of the day versus chewing little snacks throughout the day. The snacks aren’t necessarily good for you, and you might still be hungry, but at least you’ve kept your jaw busy.

So does that mean we should all start composing our short stories and poetry with 140 characters-per-line enjambment? Perhaps, but I really think it depends on what you’re trying to accomplish with twitterfiction. Are you attempting to write the next great American novel and post it on Twitter? If so, the genre of twitterfiction is probably not for you. A Hemingway novel might be tweetable, that’s true, but I can’t see anyone trying to slosh their way through an ocean of long-winded Steinbeck-style tweets. I’m not trying to diss Steinbeck- I love his style, but let’s face it, The Grapes of Wrath is just not appropriate for twitter.

What is the ideal situation for posting twitterfiction then, if you’re an emerging writer? Well, for the people who are interested in Twitter as a flash fiction or poetry platform, there are a few twitter accounts that are self-styled twitter-zines. They curate fiction tweets, and submission is as easy as using the right hashtag or mentioning the zine in a tweet. A couple twitterzines include 140 characters and nanoism.  Both accept submissions via email. Check out the Submission Info below for more details.

Twitter might have some other innovative uses for writers and editors of literary magazines looking to promote fiction. Why not use the short format to present the first sentence of a short story with a link to its publication, using a tweet as a hook to draw in readers? That seems to be what all the major news outlets do these days to try to get people to watch their videos or read their articles, so why wouldn’t it work for fiction?

Of course, these techniques assume you already have a follower base. If you don’t have a large follower base, I suggest working on building one first before trying to market through Twitter. As I type this, I have fewer follows on Twitter than I would like, but actually just through the act of putting tweets out there with hashtags to garner attention for yourself, you can start to gather more followers (Shameless plug: you can follow me on twitter @hapawriting). And you don’t have to feel guilty about attention-seeking because it’s all for the sake of your career as a writer, right?

If you have thoughts on how to use Twitter as a useful writing and publicity tool, please share them in the comments below. I’m interested to hear about your experiences with twitterfiction.

Submission Info:

140 Characters

Direct message TwitterFiction on Twitter, or email your short stories to twitterfiction@gmail.com. Submissions must be 140 characters or less, of course.

Nanoism

Email submissions to editor@nanoism.net, include your name, bio (up to 134 characters), and subject line: “Nanoism Submission”

 

 

Prompt Lit Mag

This past week, I was struck by writer’s block. It didn’t hit me all at once, instead it was like a caterpillar slowly inching up my skin. I didn’t notice it until one day I just felt completely uninspired and couldn’t get a single word out on paper. That’s when I turned to the Internet to provide me with writing prompts. I’ve written from prompts before, mostly during creative writing workshops in college, so the feeling of picking up my pen with a vague idea of what I am going to write and seeing what falls on the paper is a familiar one. I have dabbled in writing prompts for the past week with moderate success, but, more importantly, the prompts helped me with just getting back into the habit of writing in general. I now no longer feel anguished when picking up my pen or opening a word document, although I can’t guarantee that what spills out of my mind will be any good.

While I was searching for writing prompts, I happened to recall a literary magazine I discovered a while back that is focused entirely around prompts. It’s called the Prompt Literary Magazine (or the Prompt for short). It’s an online journal, and I think it offers something really unique, especially to all of us emerging writers and to writers who are currently students. The Prompt publishes poetry, prose, art and non-traditional submissions with one caveat- they must be inspired by a writing prompt. They provide an avenue for pieces that sound “workshopped” to be shared. In each issue they offer an “editor’s challenge,” a prompt that readers can complete and then submit to the magazine, but they also publish works based on any prompt, just as long as you explain the prompt with your piece. They seem especially open to publishing new and emerging writers since many of the people who use prompts are still in the process of learning how to write and are not seasoned experts.

I read through two of the Prompt’s past issues and overall found writing that was clever, thoughtful, and fun. There are all sorts of poems and short stories within the Prompt’s pages, and the best part about the journal is that you can read what some other writers did with different prompts and then try them yourself. My favorite poems in the latest issue (Volume 2 Issue 1) include a poem by Margaret Vidale, “On the Table,” which was written in response to the Jackson Pollock painting “The Tea Cup” (Page 9) and a poem titled after its prompt, “Strike a Spark,” by Lyssa Tall Anolik (Page 15). I was refreshed by the imagery of these two poems, and it seems to me that poems inspired by prompts are often more exciting because of their randomness. They pull in language from unexpected places, such as in the poem “Putting up Preserves” by Crystal Karlberg (Page 33), which is composed of words taken from a single Scrabble game.

I also enjoyed the prose, although I think prompts often work better for poetry since it is harder to come up with spontaneity in the structure of prose. I absolutely loved the short story “The Making of a Poet” by Elizabeth Kate Switaj (Page 42), which explores what would happen if the meaning of “poetry bomb” were literal. She dives right in to an incredibly fascinating universe where poetry is used to maim people, and I just wanted to stay there and watch even after the short story was over.

Overall, I highly recommend checking out the Prompt’s website in order to read their journal and discover the prompts they have for writers on their website. They are currently accepting submissions for their next journal, so if you come up with anything good from the prompts you use, or if you have something sitting around from a workshop that was inspired by a prompt, definitely send it in.

For More Information

The Prompt Literary Magazine
Website: www.promptlitmag.org

Transcendence Magazine

I was impressed by the inaugural issue of Transcendence Magazine, an online journal started by a senior in high school. Its presentation is professional and its content is high caliber. The magazine contained some really insightful and beautiful pieces, and I also think it has a lot of potential to grow, especially if it narrows its literary gaze. Right now, I think it extends itself too broadly, including pieces that are real gems and other pieces that are mediocre. It also has not yet cultivated a defining taste-  in my opinion, there didn’t seem to be much of  a pattern for how the pieces in the issue fit together.

The first issue, which came out this past spring and contains fiction, poetry, art, and interviews with artists, would be quite hefty if printed on paper, since it is 82 pages long. However, it’s in an online format that is relatively easy to read. Still, I think the magazine would benefit from being slimmer because then it would be more digestible. Unfortunately, it’s hard enough these days to entice people to read literature, and an 82-paged magazine that’s not yet well-known might be too much trouble for many who are just dipping their toes into the literary pool. The quality of the pieces in the issue varied. I must give a disclaimer, of course, that I was judging the works based on my own personal taste, so another person may have liked the stories and poems that I found to be just okay. The poetry was hard for me to judge since, as I’ve said before, I’m not much of a poetry reader and thus poems must be really accessible and thought-provoking for me to like them. Some of the fiction pieces were really good; others had interesting premises but just didn’t quite capture my attention for one reason or another. Below are a few pieces that I enjoyed. I recommend checking out the issue as a whole to get a sense of the kind of writing the magazine is interested in. Fiction-“Jade” by Ethan Brightbill (on p. 42): a short story about a homeless girl on the streets of modern-day Yuexiu, a developing city in China. I liked this one mostly because I found the setting to be very detailed and believable and the narrator had a strong, compelling voice. Poetry- “Tattooed” by Armit Pamesseur( p. 13): I don’t always “get” poems, and sometimes I don’t think you need to really get exactly what they’re driving at to appreciate them as aesthetic works. I liked the rhythm and imagery of this poem and the ambiguity of the meaning of the woman’s tattoos, and how the poem seems to take on a spiritual tone despite its rejection of religion that condemns the woman’s actions. “Instead of Discussing Marriage” by Glen Armstrong (p. 36): This is one of those poems that almost anyone can enjoy, whether they love reading poetry or not. The speaker lists all the things he should have done instead of discussing marriage with his girlfriend. It’s playful and funny but also thoughtful, and I really like it. Another aspect of the magazine that piqued my interest are the interviews it has with artists from around the globe. I was surprised by the global reach of the magazine. There were interviews with artists from America, China, and Russia, and two were with young, emerging artists in their field. I really liked the interview with Fei Wu, a Shanghai writer (p. 38) because it explored issues of censorship in the literary world in China, which I know a little about from taking Asian American lit classes. It was interesting to hear from the perspective of an artist who is living in the midst of China’s literary scene, since I mostly have met and read ex-patriates. Overall, I look forward to seeing what Transcendence Magazine will come up with in its next issue. I plan on possibly submitting some works and seeing what comes back. Their criteria for submission is an emphasis on stories, both in poetry and prose. They want captivating language too, but they are mostly looking for narrative voice and plot, and they are not as interested in experimental works. Their submissions are currently closed, but they will start accepting submissions again in the fall.

For More Information:
Transcendence Magazine
Website: transcendencemag.wix.com/transcendencemag

Five Chapters

My last post, back in May, was about serial online writing, so I thought it would be apt to review an online literary journal devoted to serial writing, Five Chapters. Five Chapters publishes one short story each week, but in five parts which are released sequentially Monday through Friday.

I really like the concept of Five Chapters because it offers a different kind of experience reading a short story than we would normally have reading one in a literary magazine or an anthology. Five Chapters is clearly catering to readers’ diminishing attention spans, but it does not do so by lowering the quality of the writing it publishes. The stories I have read on Five Chapters have been well-worded and thought-provoking, although they tend to be strictly literary in style and academic in content. The journal seems to be going for a New Yorker-esque vibe, which doesn’t always appeal to me.

For example, latest story they published, “HTLV-III” by Matt Sailor is told from the perspective of a philosophy graduate student. It has a compelling narrative, but in my opinion, the overly-jargonistic narrator who contemplates the narrative structure and effect of his own story as he is telling it is quite off-putting, albeit true to the personality of the character.

On the other hand, I really liked the story “Dubrovnik 1989” by Paula Whyman, which is about a young single woman who feels listless, drifting from one man to another just as she drifts from job to job. I like the story’s narrator, who talks in a very detached manner about her own life, but at the same time is frank and observant.

To read Five Chapters properly requires one to diligently check the website every weekday or to subscribe to their email list. I haven’t yet done either, but I did stick with the serial reading experience for one week, back in May, reading the installments on the days they came out, instead of reading all of them at once (which is what I did today).

The story I read was “Somewhere Around Then” by Nick Kocz. I enjoyed the story, which is about a boy’s summer romance before he goes off to college. Reading the story in parts, I realized, made me engage with the plot and the language more deeply than I would have otherwise, just skipping through it to reach the next important plot point. Each day while I was reading it, I had to go back to the earlier part so I could remember the context for what was currently going on in the story. So delivering the story in bits actually helped me improve my absorption of it, funnily enough.

The authors or the editor of Five Chapters choose deliberately when to break the story in a way that enhances suspense. Most of the time, the breaks feel natural because it comes during a change of scene. That doesn’t mean that the story must consist of only five parts. Some of the stories that I read had smaller breaks within the chapters. I’m not sure whether the editor looks for stories that could easily be broken into five parts or whether he works with the author to make the stories fit.

The editor of Five Chapters is Dave Daley, the editor in chief at Salon.com. The journal accepts unsolicited submissions of stories between 5,000-10,000 words. Since they have published Pulitzer Prize winners, National Book Award winners, and PEN/Faulkner award winners, having your story published on this website would put you in great company.

One critique I must make of the website is that is has a funky logo and backdrop, which could be much improved upon, but that doesn’t detract from the high-quality writing they publish.

Submission Information

Submissions are accepted year-round and the site does charge a $3 fee for submitting

For More Information:

Five Chapters
www.fivechapters.com

 

Serial Online Writing: Literature’s New Frontier?

About a month ago, my interest was piqued by a New York Times Article on the Wattpad App, an app that is forming a new online literary community of readers and writers. I was fascinated by the article, which discusses how the app allows for readers to comment on works, which writers post in segments on the website or through the mobile app. Of course, as writers, we are always looking for people who would actually be interested in reading what we have to say, and sometimes it can feel a little lonely scribbling at our secluded desks, doubting whether anyone would actually want to read what we have written. Websites like Wattpad have existed for a long time, of course, especially for fanfiction. What is different and striking about these new applications, which include JukePop and Medium, is that they are technological start-ups, using social media tools to link writers and readers together.

But what are the pros and cons for a writer hoping to share their precious work? If you have been following the news at all, you have probably heard some recent success stories about writers such as Andy Weir, whose successful novel The Martian was originally posted online or Jack and Jasinda Wilder who were able to prevent their home from being foreclosed using the profits from their romance e-books.

Can using these writing apps eventually lead to more traditional forms of publication? Do they necessarily need to? Can one make a living (or at least some money) from this avenue of writing? And how does publishing writing through these apps change the writing process- for better or for worse?

The jury is still out on a lot of these tricky questions. Some writers have been able to “make it” through these new non-traditional forms of writing, and, in my opinion it’s worth giving them a shot.

But before you post or submit to the following websites, you should think about your ultimate goal for a particular piece of writing that you have. Would it be better to save it and submit it to more traditional journals, newspapers, or magazines that accept fiction or freelanced articles? The answer to this question depends on your own personal goals and desire for prestige. Most of these sites lack traditional “gatekeepers” who will approve your work. Some of them do have bad writing on them. Thus, you might be hesitant about having your writing published on such a site, thinking that it should only be a last resort for people who can’t otherwise get published. That’s a valid concern, but not one that I think should prevent you from at least trying out these sites. There is plenty of excellent writing on these sites and dismissing all of it as unworthy simply because there is not an authority that is deeming it publishable is not fair to the writers on these sites.

Another defining feature of these sites is that writers rely on readers’ endorsements to popularize their work. This isn’t so different from traditional means of publication, in which writers whose works are “bestsellers” become well-known. However, in this case, you have easier to access readers, because the sites remove the middleman between you and the reader. Thus, you can more easily cultivate a base of fans and followers. Of course, the flip side is you are competing with all the other writers on these websites for readers.

Financially, posting on these sites is probably not going to pay off immediately (except for possibly writing for JukePop, which gives cash rewards to its authors under certain circumstances). But then again, most of the time you won’t be compensated for being published in a traditional journal or magazine either, and if you are it won’t be enough to make a living. These websites are opportunities to make yourself known, which could lead to a book deal with a traditional publisher in the future.

Most of these sites allow you to retain publishing rights, so you can publish the stories again somewhere else if you want to. However, you should note that a lot of times traditional publishing outlets, such as book publishers and most newspapers and magazines, often do not accept submissions that have already been published. You would have to check with the particular place you are submitting, but most of the time having a story published online, even if it is through one of these websites or through your own blog, counts as a previous “publication.” Of course, not all publishing outlets are strict about this, and there are always exceptions- for example, the writer of “The Martian,” Andy Weir, still got a book deal with a publisher after his novel had already been published on his website and put on Amazon as a self-published e-book.

One more consideration is that writing posted online can be easily plagiarized. But if you post through sites like the ones below, often times, they can offer some protection from plagiarism because they can establish that you published a piece of writing on their site on a particular date.

What are the advantages to the writing process that these sites can give you? Well, first of all, you can get reader feedback that can be valuable for your editing process. This could help you improve your writing in general or help you revise the particular story you are working on. Second of all, these sites can help motivate you to write on a regular basis in order to cultivate a following of readers. They can allow you to do interesting things like make your story into an interactive “choose your own adventure” serial: you can engage your readers directly by asking them to vote for what should happen next in the comments.

At the same time, writing in serial installments is not necessarily the best way to construct a coherent story. Most published writers compose several drafts of novels, which can involve going back and changing crucial details at the beginning of the story. You can lose this process if you only build on the chapters that you have written before without editing the piece as a whole. But just because these websites tend to publish stories serially doesn’t mean you have to write them that way. You can write a complete story and then publish it in chapters on a site. I doubt that famous writers who published their novels serially, such as Charles Dickens, just wrote chapters as they went along- they usually had a finished manuscript ready prior to publication.

Here are a few examples of emerging online writing websites that publish serial fiction, journalism, or blog posts. The majority of these also have mobile apps available.

Wattpad

Wattpad allows you to post stories and comment on other people’s writing. Most of the stories are serial installments that together make up a longer short story, novella, novel. They have sections for every type of prose genre imaginable from Mystery to Science Fiction to Romance, and they also have poetry and fanfiction. Wattpad allows you to choose what copyright you want to use for the writing you submit to their site (you can retaining all rights, make it public domain, or do something in between). You can also edit your posts once they have been put online.

Website: www.wattpad.com

JukePop Serials

JukePop is similar to Wattpad, in that it allows you to read stories and comment on them. However, it differs from Wattpad in that it restricts whose writing is posted on their website. People make submissions to their website which are then “curated” by the JukePop staff, so that only certain stories are selected for publication on the website. Then, once a story has been accepted, readers can vote to endorse the story. Authors who have popular stories are eligible to receive cash rewards. JukePop. Writers retain the rights to their serial stories, and they can choose to publish them elsewhere after they have been published on JukePop.

Website: www.jukepop.com

Medium

Medium is another site that allows people to publish their writing online and read other’s writing and recommend articles through social media. However, it is focused on journalistic and nonfiction writing. They allow you to post articles freely on their site, so in that sense it almost like a blogging platform. Writers retain the rights to their work. To post on Medium, you need to have a Twitter account. In my opinion, Medium’s layout is confusing and not very user-friendly, and I am still uncertain why a blogger or journalist would choose to use it over a different platform. According to this New York times article, the defining feature of Medium is that you can leave “notes” that link to your own posts, which differ from comments because they create more of a conversation and network than regular blogging. I’m not entirely convinced, but then again I haven’t played around with Medium that much yet.

Website: www.medium.com

Other Blogging Platforms

Of course, other ways of publishing your writing online include using tools like this blog, which is a WordPress blog. I’ve also used Blogger before. In my experience, WordPress has been more useful for allowing me to customize what I want my blog to look like and how I want to categorize my posts. It also has connected me to more writers and readers than my Blogspot blog, which I mainly used for sharing updates on my travels with my immediate family and friends. Both are definitely good platforms for blogging. However, I am hesitant to post any creative writing on a personal blog, just because I worry that it can easily be plagiarized. That’s my personal decision, of course, and perhaps not the one that you will make.

WordPress Website: www.wordpress.com

Blogger Website: www.blogger.com

 

 

 

 

 

 

 

 

 

 

The Adroit Journal

The Adroit Journal is a great platform for emerging writers and unique voices. I was compelled by nearly every piece in its latest issue, Issue Eight. The online journal, which was started in 2010, publishes poetry, short fiction, and art. One thing I noted reading all of the biographies of the contributors is that the grand majority of them are young- either high school students or undergraduates. But before you scoff at comparing yourself to high school students, check out the work in this journal. It radiates promise. I wish I had been writing that well as a high-schooler. Hell, I wish I could write that well now.

The poetry in this journal is in some ways experimental. It is mostly free verse with some prose poetry sprinkled in. What I found remarkable about it was the poetry’s readability.  I often feel like an unwelcome visitor when reading poetry because the poets are speaking in a hidden language that I don’t understand, even when I apply myself to understanding the text. But these poems opened their arms to me, and even when I wasn’t sure what was going on, their language was inviting at least. My favorite poem from this issue is “How We Make Love” by Cheryl Julia Lee, which uses a beautiful and very concrete metaphor, comparing “making love” to folding origami. I like how the whole poem plays on the phrase “make love,” turning love and physical intimacy into a product of art that has a process and a meaning that lasts beyond the time of its creation.

If I had to describe the fiction from this issue, I’d call it “quirky.” Many of the pieces are wacky and fun, but still tackle deeper issues at the same time, such as “Josephine March Sighs With You” by Erin Entrada Kelly and “How to Keep Animals from Defecating in Your Closet” by Mary Sheffield. Others were darker and more serious.  The Adroit Journal accepts stories that are up to 2,500 words, so most of the stories could be classified as “flash fiction.” The story, “The Hubei Boys” by Christina Qiu is the most striking to me. I love its meditative tone and how it gives insight into the daily life of Chinese schoolboys and peasants.

The journal also is unique in its commitment to supporting human rights causes in other countries. Its most recent issue features poems by Zimbabwe writers, which the journal found by working in partnership with the Zimbabwe Poets for Human Rights organization. These poems are really thought-provoking and worth checking out.

Submission Information:

Next Deadline: April 1st, so send in your best work quickly!

For More Information

Website: theadroitjournal.org

 

My personal literary journey

Dear readers and writers,

It’s been quite a while since my last post, but I am starting this blog back up again.  I wanted to explain why I started this blog in the first place and tell you my story of diving into the online literary world thus far.

I began this blog as a project for a seminar called Literary Life at UCLA, where I am currently finishing my senior year. Our professor, Mona Simpson, who is a well-known bestselling novelist, wanted to her students to engage in the literary world in some way, whether through attending readings, joining a  book club, or writing for a journal. She was concerned that many English majors study and read great authors during their time in college and then move on with their lives, letting go of their passions for literature and writing. Thus, she asked each of us to start a project that showed our commitment to a “literary life” that we could continue beyond the class and even beyond graduation. With graduation fast approaching, I’ve realized the importance of continuing to pursue my love for writing. One of the ways I will be doing so is by posting regularly to this website, to share with fellow readers and writers the neat literary journals I’ve found online.

I started this website because I wanted to be able to submit my own writing to the literary journals that I am reviewing, and also so that it could become a resource for other emerging writers who are interested in finding places to publish their work. I am excited to share with you that my plan has been a success: I will be published in one of the literary journals that I reviewed, The Blue Lake Review, this upcoming May!

Starting in November, I sent out three of my short stories to a total of six different journals. The majority of those I discovered from working on this blog.  I received a few rejections, which I expected. But one of them is what Julia Glassman would call an encouraging rejection, telling me that the editor liked part of my story, but that it wasn’t right for their journal at the time. And only a few days later, I heard back from the Blue Lake Review letting me know that my short story “U-Turns Are Not Permitted” had been accepted!

Before this my only creative writing publications have been in UCLA’s literary journal, Westwind. Of course, I was pleased to be published there, too, but I wanted to expand my publications beyond my school’s community, which I have now accomplished.

I’m not posting this story just to brag. Instead, I hope other emerging writers take inspiration from it. Doing research on the places where you submit beforehand and revising your story several times (in my case, I probably had written at least 4 or 5 drafts of it) can make all the difference. I hope that all of you not-yet-published writers continue to follow my blog to find journals where you can submit your work. Also, I hope that you keep on writing. In my opinion, as long as you write and you believe in yourself as a writer, that makes you one. But being published is also very satisfying and is a worthy goal to pursue. Happy writing, and please check back soon for more reviews, interviews, and writing advice!

-Molly Montgomery, LitBloom Founder and Author

Decades Review

Decades Review is another online journal that has recently sprung up in the past few years. Published quarterly on its website, the review contains poetry, prose, and artwork. I perused its last two issues, Issue Eight and Issue Nine, and found that some of it prose bordered on cliché and was rather generic. However, there were a few gems, and the review seems to be up-and-coming overall. It seems like a great starting place for emerging writers seeking publication.

The poetry published in the review is lyrical and sometimes more intellectual than emotional. I enjoyed the poem “Liars” by Matthew Williams, in Issue Nine, which had surprising and interesting imagery. From that issue, I also liked the poem “River of Perdix” by Danielle Susi, which examines the legend of Daedalus and Icarus from an unexpected perspective. Overall, I would describe the poetry in the review as widely varying, but mostly clever and contemplative. I think the poetry in the review is stronger than its prose offerings.

Most of the prose in the review I found to be disappointing, especially the stories in the latest issue, which delve into the romantic and emotional lives of their characters, but leave out specifics, giving the stories a hollowed-out, generic feel. I did, however, enjoy the story “Kacie” in Issue Eight, which I expected to be another rather generic story, but it turned to have some unexpected twists. I’m not sure if those twists were justified, but at least they made the story more interesting. I also liked the flash fiction “At a Distance” by Kristina England, which manages to evoke a lot of emotion in just short span of words. These pieces are stronger than some of the other published in the journal because they pay closer attention to detail and to character.

The review accepts both flash fiction and longer short stories, but the works it publishes tend to be on the shorter side.

I was intrigued by the artwork in the review, which adds a whole new dimension to the writing, depending on where it is placed, as well as being interesting in its own right. Some of the photography and drawings were astonishing, while others were almost creepy. The artwork creates an eery but also artsy effect that contributes to the overall atmosphere of the journal. I recommend checking it out!

Submission Period:

Year Round

For More Information
Decades Review

www.decadesreview.com