The Adroit Journal

The Adroit Journal is a great platform for emerging writers and unique voices. I was compelled by nearly every piece in its latest issue, Issue Eight. The online journal, which was started in 2010, publishes poetry, short fiction, and art. One thing I noted reading all of the biographies of the contributors is that the grand majority of them are young- either high school students or undergraduates. But before you scoff at comparing yourself to high school students, check out the work in this journal. It radiates promise. I wish I had been writing that well as a high-schooler. Hell, I wish I could write that well now.

The poetry in this journal is in some ways experimental. It is mostly free verse with some prose poetry sprinkled in. What I found remarkable about it was the poetry’s readability.  I often feel like an unwelcome visitor when reading poetry because the poets are speaking in a hidden language that I don’t understand, even when I apply myself to understanding the text. But these poems opened their arms to me, and even when I wasn’t sure what was going on, their language was inviting at least. My favorite poem from this issue is “How We Make Love” by Cheryl Julia Lee, which uses a beautiful and very concrete metaphor, comparing “making love” to folding origami. I like how the whole poem plays on the phrase “make love,” turning love and physical intimacy into a product of art that has a process and a meaning that lasts beyond the time of its creation.

If I had to describe the fiction from this issue, I’d call it “quirky.” Many of the pieces are wacky and fun, but still tackle deeper issues at the same time, such as “Josephine March Sighs With You” by Erin Entrada Kelly and “How to Keep Animals from Defecating in Your Closet” by Mary Sheffield. Others were darker and more serious.  The Adroit Journal accepts stories that are up to 2,500 words, so most of the stories could be classified as “flash fiction.” The story, “The Hubei Boys” by Christina Qiu is the most striking to me. I love its meditative tone and how it gives insight into the daily life of Chinese schoolboys and peasants.

The journal also is unique in its commitment to supporting human rights causes in other countries. Its most recent issue features poems by Zimbabwe writers, which the journal found by working in partnership with the Zimbabwe Poets for Human Rights organization. These poems are really thought-provoking and worth checking out.

Submission Information:

Next Deadline: April 1st, so send in your best work quickly!

For More Information

Website: theadroitjournal.org

 

My personal literary journey

Dear readers and writers,

It’s been quite a while since my last post, but I am starting this blog back up again.  I wanted to explain why I started this blog in the first place and tell you my story of diving into the online literary world thus far.

I began this blog as a project for a seminar called Literary Life at UCLA, where I am currently finishing my senior year. Our professor, Mona Simpson, who is a well-known bestselling novelist, wanted to her students to engage in the literary world in some way, whether through attending readings, joining a  book club, or writing for a journal. She was concerned that many English majors study and read great authors during their time in college and then move on with their lives, letting go of their passions for literature and writing. Thus, she asked each of us to start a project that showed our commitment to a “literary life” that we could continue beyond the class and even beyond graduation. With graduation fast approaching, I’ve realized the importance of continuing to pursue my love for writing. One of the ways I will be doing so is by posting regularly to this website, to share with fellow readers and writers the neat literary journals I’ve found online.

I started this website because I wanted to be able to submit my own writing to the literary journals that I am reviewing, and also so that it could become a resource for other emerging writers who are interested in finding places to publish their work. I am excited to share with you that my plan has been a success: I will be published in one of the literary journals that I reviewed, The Blue Lake Review, this upcoming May!

Starting in November, I sent out three of my short stories to a total of six different journals. The majority of those I discovered from working on this blog.  I received a few rejections, which I expected. But one of them is what Julia Glassman would call an encouraging rejection, telling me that the editor liked part of my story, but that it wasn’t right for their journal at the time. And only a few days later, I heard back from the Blue Lake Review letting me know that my short story “U-Turns Are Not Permitted” had been accepted!

Before this my only creative writing publications have been in UCLA’s literary journal, Westwind. Of course, I was pleased to be published there, too, but I wanted to expand my publications beyond my school’s community, which I have now accomplished.

I’m not posting this story just to brag. Instead, I hope other emerging writers take inspiration from it. Doing research on the places where you submit beforehand and revising your story several times (in my case, I probably had written at least 4 or 5 drafts of it) can make all the difference. I hope that all of you not-yet-published writers continue to follow my blog to find journals where you can submit your work. Also, I hope that you keep on writing. In my opinion, as long as you write and you believe in yourself as a writer, that makes you one. But being published is also very satisfying and is a worthy goal to pursue. Happy writing, and please check back soon for more reviews, interviews, and writing advice!

-Molly Montgomery, LitBloom Founder and Author

Decades Review

Decades Review is another online journal that has recently sprung up in the past few years. Published quarterly on its website, the review contains poetry, prose, and artwork. I perused its last two issues, Issue Eight and Issue Nine, and found that some of it prose bordered on cliché and was rather generic. However, there were a few gems, and the review seems to be up-and-coming overall. It seems like a great starting place for emerging writers seeking publication.

The poetry published in the review is lyrical and sometimes more intellectual than emotional. I enjoyed the poem “Liars” by Matthew Williams, in Issue Nine, which had surprising and interesting imagery. From that issue, I also liked the poem “River of Perdix” by Danielle Susi, which examines the legend of Daedalus and Icarus from an unexpected perspective. Overall, I would describe the poetry in the review as widely varying, but mostly clever and contemplative. I think the poetry in the review is stronger than its prose offerings.

Most of the prose in the review I found to be disappointing, especially the stories in the latest issue, which delve into the romantic and emotional lives of their characters, but leave out specifics, giving the stories a hollowed-out, generic feel. I did, however, enjoy the story “Kacie” in Issue Eight, which I expected to be another rather generic story, but it turned to have some unexpected twists. I’m not sure if those twists were justified, but at least they made the story more interesting. I also liked the flash fiction “At a Distance” by Kristina England, which manages to evoke a lot of emotion in just short span of words. These pieces are stronger than some of the other published in the journal because they pay closer attention to detail and to character.

The review accepts both flash fiction and longer short stories, but the works it publishes tend to be on the shorter side.

I was intrigued by the artwork in the review, which adds a whole new dimension to the writing, depending on where it is placed, as well as being interesting in its own right. Some of the photography and drawings were astonishing, while others were almost creepy. The artwork creates an eery but also artsy effect that contributes to the overall atmosphere of the journal. I recommend checking it out!

Submission Period:

Year Round

For More Information
Decades Review

www.decadesreview.com 

[PANK]

[PANK] magazine is an online and print magazine that publishes “emerging and experimental poetry and prose,” according to their website. Initially, I found the word “experimental” daunting, assuming that the contents of the magazine would be incomprehensible to a novice poetry reader like me. I was surprised to find that the poetry in the magazine is very accessible. Its experimental qualities come more from playing with language and form than from a tendency towards obscurity. Much of the prose also resembles the poetry; it’s often short fiction that qualifies more as flash fiction or prose poetry than short stories.

The poetry in this magazine tends to be highly lyrical and rhythmic. I really like how the poems feel uninhibited and wild. My favorite poems from the latest issue, which I think are very representative of the magazine as a whole are “Mew Zee Um” by Bob Hicok and “Partial Midwestern Love” by Bindu Bansinath (and if you need any proof that this magazine publishes emerging writers, check out Bansinath’s bio at the bottom of the page— she’s seventeen year’s old!).

The prose in [PANK] also has very interesting use of imagery and language. However, in one of the pieces, “Jerry” by John Thornton Williams, I found the plot to be so confusing that it distracted me from the actual prose. I could not follow the chronology of the story, and that took away from my enjoyment of reading it. On the other hand, I did like the three short stories by Kaj Tanaka which talked about reservation life, especially the last one, entitled “Wake.” I didn’t think there was anything particularly “experimental” about them, apart from their brevity, but they were well-written and compelling to read.

[PANK]’s online magazine publishes new works every month.

Submission Period

Year-Round

For More Information

[PANK] Magazine

Website: pankmagazine.com

Brevity Mag

Brevity Mag is on the forefront of the new creative nonfiction movement, publishing exclusively short works of creative nonfiction. Their motto reads, “We are a small magazine with large ambitions,” and from what I have read from their magazine, they are doing a great job of filling a unique and exciting niche in the contemporary literary world. They publish creative nonfiction of 750 words or less, as well as book reviews and craft essays. If you are at all interested in creative nonfiction, you should definitely explore their website to find inspiration and advice.

The creative nonfiction pieces are tied together not just by their short length, but also by an intense focus on language. Since it is such a short form, some of the pieces almost seem like prose poetry that just happen to be about things that took place in real life. An example of this is the piece “Stranded” by Jill Talbot from their Fall 2013 issue, which paints a mysterious night in the author’s life in broad strokes of imagery that highlights the comet in the night sky and the setting of an abandoned highway road, but obfuscates the actual events that took place.

Most of the pieces hone in on a particular moment or event that stands out in the author’s memory, but reveal that singular moment as intertwined with greater currents in the author’s life.  One of the pieces from their latest issue that I think uses this particular technique well is “The Bedroom that was a Beekeeper’s House” by Amy Wright, which describes the author’s relationship to a beekeeper who lived in a shabby shed:

As we started to close the windows against November nights, to leave a fleece within reach of the door, I knew I had to end the relationship. Summer rain or sleet in February, that one-room cabin wasn’t getting any bigger. It wasn’t the inconvenience I minded so much as how the arrangement allowed him to keep sealed the other chambers of his heart. I might hum around all I liked, industrious as any worker bee, dancing clover nectar off my feet, but I would never be taken to the queen.”

-Amy Wright, “The Bedroom that was a Beekeeper’s House”

I really like how Wright bridges the figurative and the literal when she talks about the physical place where her boyfriend lived and his hobby of beekeeping, connecting it to her emotional relationship to him. You wouldn’t expect nonfiction to be literary in the sense of it being symbolic, because we tend to think of literary motifs as something planned by the author in fiction. However, part of what I really like about the genre about creative nonfiction is that it allows writers to explore the unrecognized literary themes that emerge in our lives naturally. Perhaps we are making connections between things that aren’t really relevant to each other, seeing an overarching narrative in our lives where there is none, but that doesn’t make it any less true or artistic.

Brevity Mag’s craft essays are also worth a look. They mostly deal with the topic of how to write creative nonfiction. One essay that I particularly  enjoyed was “What Can Sonnets Teach Us? The Benefit of Strict Form”  by Chelsea Biondolillo, which discusses how you can take different forms of prose that are not typically creative forms, such as food reviews, or even multiple choice tests, and make them into art.

Submission Period

Year Round

Submission Details

Submissions should be creative nonfiction of 750 words or less

For More Information

Brevity Mag

brevitymag.com

Joyland Magazine

Joyland Magazine is an online magazine that focuses on prose from different regions across North America. Their regions include New York, Los Angeles, Vancouver, Toronto, the South, and the Midwest, and each region has an editor who reads submissions of short fiction, excerpts from novels, and personal essays. The writer should live in the region or have some sort of connection to it, but the stories themselves do not need to reflect a regional quality. The magazine also publishes a print magazine twice a year, featuring selections from the website. Joyland publishes emerging writers and they post new stories often— once every week— so this is a great place for emerging writers to send in their work.

The prose published in the journal is highly polished and mature. There doesn’t seem to be a unifying theme to the content, except for an interest in regional character which is not necessarily a requirement for submission. From the stories I read on the site, the journal seems to be interested in literary fiction depicting real-life situations, such as the death of a child or the sexual frustration of a middle-aged woman. The majority of the pieces published are traditional in form and depict straightforward narratives, and, as a result, are perhaps not as innovative or interesting as some other types of fiction or creative nonfiction. The style of the writing in much of the writing is academic, and many of the contributors seem to be from MFA faculty or from the MFA world.

My favorite piece that I’ve read from this magazine so far is a short story called “Break All The Way Down,” by Roxane Gay from the Midwest Region. It deals with a similar issue as the one discussed in the story “Of Rivers and Caves” by Adrian Dorris published in the latest issue of Blackbird, but I was struck by how different it was from the piece in Blackbird, which felt very elusive and circumspect in comparison. Both stories are about parents who have lost a child and who have another chance to raise a child, yet they are still haunted by the trauma of their original loss. I found the clarity of the prose in “Break All the Way Down”  and the author’s piercing depiction of the mother’s inexpressible grief to be compelling. The protagonist reminds me of the main female character in “Silver Linings Playbook.” But alas, I digress.

Whether you decide to submit to Joyland Magazine or not, I recommend reading some short fiction published on their website. They seem to be on the forefront of redefining what it means to be an online literary magazine by delivering high-quality writing more frequently than just two or three times a year. It will be interesting to see whether more online journals will turn to this type of periodic publication in the future.

Submission Period:

Year Round

For More Information:

joylandmagazine.com

Blackbird

Blackbird is a well-established online journal published twice a year by staff and students at Virginia Commonwealth University. The journal publishes both emerging and established writers, including acclaimed poet Tomas Tranströmer, who won the Nobel Prize of Literature in 2011. Needless to say, submitting to Blackbird may seem daunting due to the high caliber of the works they publish. But you might as well submit your best work and see what happens.

Blackbird accepts submissions of fiction, poetry, and nonfiction reviews. They also have a unique gallery section where they display videos of dramatic performances, along with the script. Blackbird has other innovative features that take advantage of its online format such as an introduction reading loop in every other issue, in which the editors introduce some of the upcoming writers featured in the issue. Blackbird has a strong electronic media focus, providing audio recordings of many poems so you can listen to them read aloud, and also giving the reader access to recordings of readings held by the journal, in which authors read their own work and discuss it. They also publish the winners of two different prizes each year— the Levis Reading Prize Winner and the Cabell First Novelist Award.

The poetry in this journal is not the most accessible for those new to contemporary poetry. It is often very formally innovative and filled with allusions to classical literature. If this is your niche, then Blackbird may be the right journal for you. Personally, I am not the most sophisticated reader of poetry, and I struggled through many of the poems published in the most recent issue. I did enjoy the poetry of Michael McGriff that was featured in the Fall 2013 issue, especially his prose poem “Figures in the Landscape” since the images that surfaced from the rural landscape where the poems took place seemed striking to me.

The fiction in Blackbird is very well written and often provides a window into slices of American life that I have not encountered before. My favorite piece from the latest issue was “Of Rivers and Caves” by Adrian Dorris. In the story, a father struggles to raise his autistic daughter while haunted by the guilt of his other daughter’s death, who drowned in a river. I thought the way the story painted the father-daughter relationship as he struggles to give his daughter the freedom she needs was very poignant and moving. The story did not always fit what my expectations were for it, which was a good thing because it avoided the predictable, just as real life tends to do.

Submission Period:

November 1 – April 15

For More Information

Blackbird

Website: blackbird.vcu.edu.