[PANK] magazine is an online and print magazine that publishes “emerging and experimental poetry and prose,” according to their website. Initially, I found the word “experimental” daunting, assuming that the contents of the magazine would be incomprehensible to a novice poetry reader like me. I was surprised to find that the poetry in the magazine is very accessible. Its experimental qualities come more from playing with language and form than from a tendency towards obscurity. Much of the prose also resembles the poetry; it’s often short fiction that qualifies more as flash fiction or prose poetry than short stories.
The poetry in this magazine tends to be highly lyrical and rhythmic. I really like how the poems feel uninhibited and wild. My favorite poems from the latest issue, which I think are very representative of the magazine as a whole are “Mew Zee Um” by Bob Hicok and “Partial Midwestern Love” by Bindu Bansinath (and if you need any proof that this magazine publishes emerging writers, check out Bansinath’s bio at the bottom of the page— she’s seventeen year’s old!).
The prose in [PANK] also has very interesting use of imagery and language. However, in one of the pieces, “Jerry” by John Thornton Williams, I found the plot to be so confusing that it distracted me from the actual prose. I could not follow the chronology of the story, and that took away from my enjoyment of reading it. On the other hand, I did like the three short stories by Kaj Tanaka which talked about reservation life, especially the last one, entitled “Wake.” I didn’t think there was anything particularly “experimental” about them, apart from their brevity, but they were well-written and compelling to read.
[PANK]’s online magazine publishes new works every month.
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Based in Cortland, New York, The Cortland Review is an online magazine of fiction and poetry, focusing mostly on poetry and emphasizing poetry as a performance art. All of its poems are accompanied by an audio file of the voice of the poet reading the poetry aloud.
The review publishes an issue four times a year, as well as putting out features twice a year— including translations of non-English poetry. Their website also has a unique widget, called The Poetry Streamer, which may be of interest to those of you who want to listen to poetry, not just read it. The Poetry Streamer plays randomized audio selections of poetry from past issues of the magazine.
The poetry in the journal tends towards traditional, free verse poetry, often lyrical in tone. It is not a journal for experimental poetry, so if that is what you write, this is probably not the journal for you. As a reader, I found the poetry to be interesting and accessible, although a little stale at times. One poem that I really did like from the summer 2013 issue of the journal, Issue 60, was “What Happens Before Anything” by Dara Barnat. It is a simple poem, but I thought the way the author uses an image of snowflakes piling up as a comparison to how a mental or emotional burden can amass is very powerful.
The fiction published by the journal is mostly short fiction, “flash fiction,” that is almost short enough to be called poetry. Yet it retains a distinctly prose-like feel where a narrative emerges in just a short span of words. Both pieces in Issue 60 of the journal follow a similar format of fragmented snippets that add up to a whole. I didn’t really like either of them. I think it is incredibly difficult to make a piece of fiction that short that can convey a story in its entirety. “Tennis in a Dozen Easy Lessons” by Charles Israel, Jr. which compares different moves in tennis to the narrator’s life felt a little too obvious for me.
On the other hand, I really like the short story “San Francisco, Summer 1990” by Michael Bourne from Issue 59. I wouldn’t call it flash fiction, since it is too long to fall into that category, but it is certainly a shorter short story. The story captures a pivotal moment in the narrator’s life as he encounters his dying father, to whom he has not spoken in many years, and the author seems to hint that he will make the same mistakes as his father. I think it is a subtle and intriguing piece.
Submit 3-5 Poems, or short fiction up to 3,500 words
A cover letter with biographical information should be included
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The Cortland Review
Rainy Day Magazine is published by undergraduates at Cornell University, but accepts submissions from undergraduates across the country. Founded in 1969, it is one the oldest university-based literary magazines around. The magazine, which is published twice a year, includes poetry, fiction, and other in-between genres, such as prose poems. They seem pretty flexible with their submissions, since they have no specified word count limitations.
Since the journal publishes undergraduate work, many of the poems and stories have themes about college life. Just as many do not, testifying to the inventiveness of young writers. Even if you are a 20-year-old college student, you, by no means, are obligated to write about college parties (in fact, most people would probably prefer to read about something else). The stories and poems in the latest issue available online have a wide range of interesting characters including a psychiatrist-turned-stalker, juvenile delinquents, and a hermaphroditic squid. A sense of originality and freshness ran through the works.
The poems in Rainy Day pay close attention to language, playing with words and shaping them in interesting ways. Some of the poetry struck me as too trite and clever, but others were full of rich imagery and interesting dialect. I recommend checking out “Low and Rustic Life” by Kevin Mosby in the Fall 2012 issue (and I should be transparent- Kevin is a good friend of mine, but I also think he’s a great poet, so his poems are worth taking a look at). The poem looks at attending university from a different point of view, the view of the less educated family members who lament the younger generation’s eagerness to escape their humble roots. It rings with a poeticness that is unassuming and grounded.
My favorite work of fiction from the last issue was a short story called “Mountaineering” by Miklos Zoltan, which depicts a married man facing a mid-life crisis. The main character suffers from a malaise, a discontentedness with his mediocre life that he can’t quite put his finger on. I liked the way the author portrayed the inequality in the marriage through harping on their differences through the repeated use of unequal numbers to describe things about them, always using one-and-a-half for the wife, and three for the man. It gave me as a reader a concrete sense of how the couple can never match up anymore on their opinions or their experiences.
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Joyland Magazine is an online magazine that focuses on prose from different regions across North America. Their regions include New York, Los Angeles, Vancouver, Toronto, the South, and the Midwest, and each region has an editor who reads submissions of short fiction, excerpts from novels, and personal essays. The writer should live in the region or have some sort of connection to it, but the stories themselves do not need to reflect a regional quality. The magazine also publishes a print magazine twice a year, featuring selections from the website. Joyland publishes emerging writers and they post new stories often— once every week— so this is a great place for emerging writers to send in their work.
The prose published in the journal is highly polished and mature. There doesn’t seem to be a unifying theme to the content, except for an interest in regional character which is not necessarily a requirement for submission. From the stories I read on the site, the journal seems to be interested in literary fiction depicting real-life situations, such as the death of a child or the sexual frustration of a middle-aged woman. The majority of the pieces published are traditional in form and depict straightforward narratives, and, as a result, are perhaps not as innovative or interesting as some other types of fiction or creative nonfiction. The style of the writing in much of the writing is academic, and many of the contributors seem to be from MFA faculty or from the MFA world.
My favorite piece that I’ve read from this magazine so far is a short story called “Break All The Way Down,” by Roxane Gay from the Midwest Region. It deals with a similar issue as the one discussed in the story “Of Rivers and Caves” by Adrian Dorris published in the latest issue of Blackbird, but I was struck by how different it was from the piece in Blackbird, which felt very elusive and circumspect in comparison. Both stories are about parents who have lost a child and who have another chance to raise a child, yet they are still haunted by the trauma of their original loss. I found the clarity of the prose in “Break All the Way Down” and the author’s piercing depiction of the mother’s inexpressible grief to be compelling. The protagonist reminds me of the main female character in “Silver Linings Playbook.” But alas, I digress.
Whether you decide to submit to Joyland Magazine or not, I recommend reading some short fiction published on their website. They seem to be on the forefront of redefining what it means to be an online literary magazine by delivering high-quality writing more frequently than just two or three times a year. It will be interesting to see whether more online journals will turn to this type of periodic publication in the future.
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Blackbird is a well-established online journal published twice a year by staff and students at Virginia Commonwealth University. The journal publishes both emerging and established writers, including acclaimed poet Tomas Tranströmer, who won the Nobel Prize of Literature in 2011. Needless to say, submitting to Blackbird may seem daunting due to the high caliber of the works they publish. But you might as well submit your best work and see what happens.
Blackbird accepts submissions of fiction, poetry, and nonfiction reviews. They also have a unique gallery section where they display videos of dramatic performances, along with the script. Blackbird has other innovative features that take advantage of its online format such as an introduction reading loop in every other issue, in which the editors introduce some of the upcoming writers featured in the issue. Blackbird has a strong electronic media focus, providing audio recordings of many poems so you can listen to them read aloud, and also giving the reader access to recordings of readings held by the journal, in which authors read their own work and discuss it. They also publish the winners of two different prizes each year— the Levis Reading Prize Winner and the Cabell First Novelist Award.
The poetry in this journal is not the most accessible for those new to contemporary poetry. It is often very formally innovative and filled with allusions to classical literature. If this is your niche, then Blackbird may be the right journal for you. Personally, I am not the most sophisticated reader of poetry, and I struggled through many of the poems published in the most recent issue. I did enjoy the poetry of Michael McGriff that was featured in the Fall 2013 issue, especially his prose poem “Figures in the Landscape” since the images that surfaced from the rural landscape where the poems took place seemed striking to me.
The fiction in Blackbird is very well written and often provides a window into slices of American life that I have not encountered before. My favorite piece from the latest issue was “Of Rivers and Caves” by Adrian Dorris. In the story, a father struggles to raise his autistic daughter while haunted by the guilt of his other daughter’s death, who drowned in a river. I thought the way the story painted the father-daughter relationship as he struggles to give his daughter the freedom she needs was very poignant and moving. The story did not always fit what my expectations were for it, which was a good thing because it avoided the predictable, just as real life tends to do.
November 1 – April 15
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As emerging writers learning to navigate the labyrinth of print and online journals that make up today’s literary world, we have created this website to guide others through the submissions process.
The first step to submitting one’s work (that is, after writing), is finding the right place to send it. On this site, we will highlight a wide spectrum of literary journals and magazines- including established print publications and prestigious online journals such as Tin House and Blackbird, as well as up-and-coming publications that often publish emerging writers. We hope to give writers a sense of the overall tone and focus of the journals, so that they can better find journals that interest them.
The best way to narrow down where to submit is to find places that publish work that fascinates you and that might be similar to your own writing. To all you emerging writers out there, we hope that this website helps you find a place for your voice to bloom. To all you editors of literary journals, especially ones who publish emerging writers’ work, whether you are based at a university, run by recent graduates, or staffed by literary enthusiasts, this is a great site for you to publicize your journal and connect with potential readers and contributors.
If you would like to suggest a literary journal to be spotlighted or if you have any questions, comments, or stories to share, you can contact us at email@example.com.
We are currently seeking submissions for reviews of literary journals and stories of successful publications by emerging writers. For more information about submitting to LitBloom, please send us an email.