[PANK] magazine is an online and print magazine that publishes “emerging and experimental poetry and prose,” according to their website. Initially, I found the word “experimental” daunting, assuming that the contents of the magazine would be incomprehensible to a novice poetry reader like me. I was surprised to find that the poetry in the magazine is very accessible. Its experimental qualities come more from playing with language and form than from a tendency towards obscurity. Much of the prose also resembles the poetry; it’s often short fiction that qualifies more as flash fiction or prose poetry than short stories.
The poetry in this magazine tends to be highly lyrical and rhythmic. I really like how the poems feel uninhibited and wild. My favorite poems from the latest issue, which I think are very representative of the magazine as a whole are “Mew Zee Um” by Bob Hicok and “Partial Midwestern Love” by Bindu Bansinath (and if you need any proof that this magazine publishes emerging writers, check out Bansinath’s bio at the bottom of the page— she’s seventeen year’s old!).
The prose in [PANK] also has very interesting use of imagery and language. However, in one of the pieces, “Jerry” by John Thornton Williams, I found the plot to be so confusing that it distracted me from the actual prose. I could not follow the chronology of the story, and that took away from my enjoyment of reading it. On the other hand, I did like the three short stories by Kaj Tanaka which talked about reservation life, especially the last one, entitled “Wake.” I didn’t think there was anything particularly “experimental” about them, apart from their brevity, but they were well-written and compelling to read.
[PANK]’s online magazine publishes new works every month.
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Brevity Mag is on the forefront of the new creative nonfiction movement, publishing exclusively short works of creative nonfiction. Their motto reads, “We are a small magazine with large ambitions,” and from what I have read from their magazine, they are doing a great job of filling a unique and exciting niche in the contemporary literary world. They publish creative nonfiction of 750 words or less, as well as book reviews and craft essays. If you are at all interested in creative nonfiction, you should definitely explore their website to find inspiration and advice.
The creative nonfiction pieces are tied together not just by their short length, but also by an intense focus on language. Since it is such a short form, some of the pieces almost seem like prose poetry that just happen to be about things that took place in real life. An example of this is the piece “Stranded” by Jill Talbot from their Fall 2013 issue, which paints a mysterious night in the author’s life in broad strokes of imagery that highlights the comet in the night sky and the setting of an abandoned highway road, but obfuscates the actual events that took place.
Most of the pieces hone in on a particular moment or event that stands out in the author’s memory, but reveal that singular moment as intertwined with greater currents in the author’s life. One of the pieces from their latest issue that I think uses this particular technique well is “The Bedroom that was a Beekeeper’s House” by Amy Wright, which describes the author’s relationship to a beekeeper who lived in a shabby shed:
As we started to close the windows against November nights, to leave a fleece within reach of the door, I knew I had to end the relationship. Summer rain or sleet in February, that one-room cabin wasn’t getting any bigger. It wasn’t the inconvenience I minded so much as how the arrangement allowed him to keep sealed the other chambers of his heart. I might hum around all I liked, industrious as any worker bee, dancing clover nectar off my feet, but I would never be taken to the queen.”
-Amy Wright, “The Bedroom that was a Beekeeper’s House”
I really like how Wright bridges the figurative and the literal when she talks about the physical place where her boyfriend lived and his hobby of beekeeping, connecting it to her emotional relationship to him. You wouldn’t expect nonfiction to be literary in the sense of it being symbolic, because we tend to think of literary motifs as something planned by the author in fiction. However, part of what I really like about the genre about creative nonfiction is that it allows writers to explore the unrecognized literary themes that emerge in our lives naturally. Perhaps we are making connections between things that aren’t really relevant to each other, seeing an overarching narrative in our lives where there is none, but that doesn’t make it any less true or artistic.
Brevity Mag’s craft essays are also worth a look. They mostly deal with the topic of how to write creative nonfiction. One essay that I particularly enjoyed was “What Can Sonnets Teach Us? The Benefit of Strict Form” by Chelsea Biondolillo, which discusses how you can take different forms of prose that are not typically creative forms, such as food reviews, or even multiple choice tests, and make them into art.
Submissions should be creative nonfiction of 750 words or less
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Apple Valley Review is a refreshing drink of water in the myriad of online literary journals that I have thus encountered.
It’s an independent journal, headed by a single editor, Leah Browning, who has managed to build a reputable and enjoyable magazine to read. The journal’s online layout is simple and visually pleasing, and the content is short enough to read in one sitting. If had to characterize the works themselves in one word, I would say they were “light.” Not because the writing is frivolous or unrealistically optimistic, but because I found everything in the journal, prose and poetry alike easy to read. It rolled off the tongue, without pretensions, but in ways that made me think twice about what I had read and want to scan the page again. This journal is simply nice to read, something that can’t be said about all journals out there, especially those online.
The review publishes an issue of fiction, poetry, and creative non-fiction twice a year. On the submissions page, the editor specifies that they are “very picky” about their selections, preferring works that are “both accessible and finely written.” I found this assessment to be true with regards to the journal’s latest issue. Every single poem I read was actually comprehensible to me on the first read. I am not a poet or much of a poetry reader, but I truly enjoyed the poem in Apple Valley Review’s latest issue. The poems are simple in language and form, often lyrical or narrative, and filled with fascinating imagery and complex layers of meaning. For example, I especially enjoyed the poem “Walking South” by Danush V. Goska, in which the speaker contemplates the oncoming winter even as she walks on a street in Berkeley on a sunny day. Here is a passage from the poem that really struck me:
Winter is stalking this hot August street.
I’m ready to learn to obey winter’s dictates
turn to roots, eat amber fruits, baking and buttering
steaming on silver, studded with spice;
to view naked limbs claw like seasonal hunger
networks of twigs raking brief pewter light
as teachers of clarity, gratitude, and vigor.
– “Walking South” by Danush V. Goska
I loved the rhythm of the lines, and the way the poem evokes both the conventional smells and sights of autumn with the unexpected image of the “naked limbs claw[ing]” in reference to the trees that lose their leaves.
The journal only published two pieces of fiction in the past issue, of which I liked “Waiting on Celebrities” the best, which describes the life of an employee at a hardware store. I was drawn in by the strange narrator, who constantly is invoking the advice of his therapist, second-guessing himself, and hinting at mysterious difficulties he has faced in his past.
Another cool feature I liked about this journal was that it allowed the authors to comment on their works. I know that some purists prefer to not know the author’s own interpretation of their poetry or prose, preferring instead to find their own meaning in it. I, however, have no objection, and found some of the explanations attached to the works illuminating. They only deepened my experience of reading the works.
For all you writers out there, it is definitely worth submitting to this journal, which takes writing from emerging and established writers and which has recently published short stories that have been included in anthologies such as “Best American Essays 2013.”
Submissions are accepted year-round, but the deadline for the next issue (Spring 2014), is March 15, 2014.
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Apple Valley Review